Inspired by the Stanley Milgram obedience research, this TV movie chronicles a psychology professor's study to determine why people, such as the Nazis, were willing to "just follow orders" ... See full summary »
A satanist cult leader is burnt alive by the local church. He vows to come back to hunt down and enslave every descendant of his congregation, by the power of the book of blood contracts, in which they sold their souls to the devil.
Travis and Wendell are kidnapped while on their way to opening a nightclub in rural Nebraska. The KGB spy Cameron Smith takes them to the U.S.S.R. instead with the intention of teaching KGB... See full summary »
Taro, a single father, relocates because of business from Japan to Chicago. Conservative Taro wants a traditional nanny for his children Aki and Sachi. But he gets Nebraska born Tina, who challenges his orthodox ways.
Adaptations of two early plays, The Room and The Dumb Waiter, by Noble Prize-winning, English playwright Harold Pinter. The first revolves around paranoiac woman trapped in her apartment. The other is about two small-time crooks waiting.
A private detective named Mark Higbie is on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's ... See full summary »
Businessman Richard Crenna, getting ready for a dinner party in his New York City high-rise apartment, hears two gunshots coming from a nearby complex and sees a shadowy figure in the distant window; after reporting it to the police, Crenna is attacked in his basement by a man he cannot identify. Skeptical police investigator Vic Morrow has him come down to the station to identify guys from a line-up--which hardly seems logical, but never mind. Crenna gets feisty fiancée Patty Duke Astin involved, but when she is attacked through a chain-locked door (!), Crenna takes matters into his own hands. Completely illogical non-mystery steals liberally from Hitchcock's "Rear Window", but hasn't an ounce of the Master's style or wit (not even low-budget style or wit). Cast is rather weak: Crenna is so low-keyed throughout much of the movie that his eventual outburst in a bank seems to come from nowhere, while Astin wears kooky '70s outfits and makes exaggerated faces (both stars are wasted). Henry Winkler and John Travolta have uncredited bits, while Peter Link's score inappropriately--though amusingly--calls up the blaxploitation movies of this era (good for laugh, but totally out of place for a square movie-of-the-week like this). The New York locations seem to be well-captured, though a credit at the end suggests the picture was filmed in California! Either way, it's one lousy "Nightmare".
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