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The Night Porter (1974)

Il portiere di notte (original title)
R | | Drama | 1 October 1974 (USA)
After a chance meeting at a hotel in 1957, a Holocaust survivor and the Nazi officer who tortured her resume their sadomasochistic relationship.

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Writers:

(screenplay), (screenplay) | 5 more credits »
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Max
...
...
...
Giuseppe Addobbati ...
Stumm
...
Nino Bignamini ...
Adolph
Marino Masé ...
Atherton (as Marino Mase')
Amedeo Amodio ...
...
Day Porter
Geoffrey Copleston ...
Kurt
Manfred Freyberger ...
Dobson (as Manfred Freiberger)
Ugo Cardea ...
Mario
Hilda Gunther ...
Greta
Nora Ricci ...
The Neighbor
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Storyline

Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

The Most Controversial Picture of Our Time!

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

1 October 1974 (USA)  »

Also Known As:

The Night Porter  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor) (Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Dirk Bogarde considered retiring from acting after making this film, which he found a draining experience. See more »

Goofs

The man with the glass spectacle over his eye is usually shown with the spectacle over his left eye -- one time, though, he's wearing the spectacle over his right eye. See more »

Quotes

[last lines]
Bert: Well?
Klaus: He doesn't answer. It's off the hook.
[lights a cigarette]
Klaus: Tell me, Bert. How long have you known Max?
Bert: Let's not talk about it.
Klaus: You don't, er... dance for him anymore?
Bert: I've lost him.
See more »

Connections

Referenced in Salò: Fade to Black (2001) See more »

Soundtracks

Don Juan
(uncredited)
Music by Christoph Willibald Gluck
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User Reviews

 
Unsettling, Haunting, Beautiful, Chilling, Poetic, Disgusting and perhaps even Romantic. All at the same time.
20 June 2009 | by See all my reviews

This film is both disturbing and effective. This film stands out as one of the 70's bleakest contributions. It's very hard to obtain just one feeling towards the film since it has so many layers and creates so many emotions.

The lead a night porter who used to be a Nazi officer in charge of a concentration camp encounters his past when one of his previous captives checks into his hotel. A relationship between captor and captive is then revealed. As a matter of fact in some (sick) way they are very much in love. Whether it's the Stockholm syndrome or something else is never quite revealed but when her fiancé leaves she stays behind and the two of them pick up where they left off.

Of course it can in no way be a idyllic relationship and of course problems occur. The fear that she can be used as a witness spreads among the Nazi underground which he is still very much a part off though he wants to leave and stay in the shadows. The movie is about what the night porter does to protect his love from danger and might I say it's quite poetic.

Fabulous performances from both Dirk Bogarde(my favorite actor of all time) and Charlotte Rampling. The frames are nearly perfect and the film itself was so complicated and well done that the director (Liliana Cavani) should be considered a master.

But lets get back to the emotions this film contains. I just can't makeup my mind how I feel about these two people and their love. One side of it is quite beautiful but the other side is both disgusting and incredibly chilling. Unsettling, haunting, beautiful, chilling, poetic, disgusting and perhaps even romantic are the words I would use to describe this film. It's these mixed responses that makes me love this film so much.


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