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Le mouton enragé (1974)

A cynical tragicomedy focusing on the different ways of love in the times of the sexual revolution. Nicholas Mallet, an inconspicuous and shy bank employee, one day successfully invites ... See full summary »

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(scenario and dialogue), (based on the novel by)
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Cast

Cast overview, first billed only:
... Nicolas Mallet
... Claude Fabre
... Roberte Groult
... Marie-Paule
Henri Garcin ... Berthoud
Georges Beller ... Ami de Marie-Paule
Georges Wilson ... Lourceuil
... Shirley Douglas
Betty Berr
... Flora Danieli
Dominique Constanza ... Sabine
... Vischenko
Michel Vitold ... Georges Groult
Rachel Cathoud
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Storyline

A cynical tragicomedy focusing on the different ways of love in the times of the sexual revolution. Nicholas Mallet, an inconspicuous and shy bank employee, one day successfully invites Marie-Paul, a young woman he hadn't known before, in the streets of Paris to a café and sleeps with her the next day. When he tells his surprised friend Claude about the incident, the disillusioned and handicapped writer develops a plan to control and manipulate Nicholas' life. First of all, he procures him to Roberte, a professor of philosophy's frustrated and bored wife... Written by fippi2000

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(And How to Get There)!

Genres:

Drama | Comedy

Certificate:

R | See all certifications »
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Details

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Release Date:

13 March 1974 (France)  »

Also Known As:

Love at the Top  »

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Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Connections

Referenced in Last Stop on the Night Train (1975) See more »

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User Reviews

 
A Real "Original" from an Undersung Director
4 May 2005 | by See all my reviews

LOVE AT THE TOP--the utterly wrongheaded American title for the superb French film "Le Mouton Enrage" (which means, I think, The Rabid Sheep)-- is such an original movie, the fact that it dates back to 1974 seems all the more astounding. This film was far ahead of its time; even by today's highest standards, it accomplishes things that seem rich and new. Filmed by the hugely underrated director Michel Deville, it rather defies description in the way it combines social critique, comedy, mystery, love, sex and satire into one wholly original mix--leaving for the end a major but subtle surprise to render all that has gone before suddenly sad and more understandable. The cast is splendid, ditto the writing and theme. But it's Deville's delicious tone, keeping you constantly off-balance but enrapt, that pushes this "lost" film to a very high level indeed. (The written interview with the director on the "Special Features" section of the DVD is definitely worth reading if you have the time.)


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