King Arthur (Graham Chapman) and his Knights of the Round Table embark on a surreal, low-budget search for the Holy Grail, encountering many, very silly obstacles.
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History is turned on its comic head when, in tenth-century England, King Arthur travels the countryside to find knights who will join him at the Round Table in Camelot. Gathering up the men is a tale in itself but after a bit of a party at Camelot, many decide to leave only to be stopped by God, who sends them on a quest: to find the Holy Grail. After a series of individual adventures, the knights are reunited but must face a wizard named Tim the Enchanter, killer rabbits and lessons in the use of holy hand grenades. Their quest comes to an end however when the Police intervene - just what you would expect in a Monty Python movie.Written by
garykmcd
The first shot filmed was King Arthur crossing the Bridge of Death. The last shot was Launcelot endlessly running towards the castle, done as a last minute pick-up re-shoot in London (that small shot of Launcelot was actually filmed much earlier, on location, but John Cleese's running was deemed "too silly", generating a laugh and ruining the joke when he suddenly appears). See more »
Goofs
In the witch-trial scene, John Cleese, Michael Palin, and Eric Idle barely restrain genuine laughter. Idle bites down hard on his scythe to remain in character. See more »
All the credits are at the beginning. There are no credits at the end. The screen goes black after the movie ends with the depiction of the end of the physical film reel, then organ music is played over the black screen for about 4 minutes before the movie finally ends. See more »
Alternate Versions
On all of the post-"21st Anniversary Edition" all of the film has been cleaned up considerably from the original to give a much clearer picture, also some "waste-of-time" moments have been removed completely. Most notably of this is before King Arthur looks up to speak to the French soldiers he looks to the left, he says (Very quietly, possibly muted in the final dub), "What's the next line?", and a person off camera tells him the line, as they are telling him you can see him moving his lips to help him prompt himself. This only happens for about 2 seconds, but happens every time that King Arthur looks up to reply or speak to the French soldiers at the castle. See more »
Monty Python will always be loved or hated depending on your personality. And this is Monty Python at its typical best. If you like daft jokes, killer fluffy animals, bad accents and intelligent discussions that will most likely go over your head the first time round, then you will love The Holy Grail.
The jokes vary from obvious visual puns (coconut halves to represent horses) and audio puns ("I am Roger the Shrubber") to more subtle and intelligent jokes ("I thought we were an autonomous collective" / the Witch-burning scene). The greatest thing about the Holy Grail is that there's something for everyone. No one is left out.
What many don't realise is the sophisticated intelligence behind the jokes that many of later generations don't understand (back in the Life of Brian - Romani Ite Domun - which wouldn't have such impact on the youngsters who never had to suffer through Latin classes) such as the witch burning scene, where it was true that any means possible was used to warp the natural and legal laws to create the desired result i.e. one less warty woman in the village, and how the mish-mash of Celtic tribes were suddenly forced to become a diplomacy ("Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony!"). It always reminds me of Blackadder - how so many great jokes were wasted by bad timing or bad judgement on the audience's vocabulary.
And for those who can't keep up with historical jokes, there's the Black Knight, Tim, and Zoot to keep you occupied. They sure as hell make me laugh.
So if you like daft humour, go for it! But promise to check out the subtle jokes as well. It's worth the effort, and you'll learn a little about history too.
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Monty Python will always be loved or hated depending on your personality. And this is Monty Python at its typical best. If you like daft jokes, killer fluffy animals, bad accents and intelligent discussions that will most likely go over your head the first time round, then you will love The Holy Grail.
The jokes vary from obvious visual puns (coconut halves to represent horses) and audio puns ("I am Roger the Shrubber") to more subtle and intelligent jokes ("I thought we were an autonomous collective" / the Witch-burning scene). The greatest thing about the Holy Grail is that there's something for everyone. No one is left out.
What many don't realise is the sophisticated intelligence behind the jokes that many of later generations don't understand (back in the Life of Brian - Romani Ite Domun - which wouldn't have such impact on the youngsters who never had to suffer through Latin classes) such as the witch burning scene, where it was true that any means possible was used to warp the natural and legal laws to create the desired result i.e. one less warty woman in the village, and how the mish-mash of Celtic tribes were suddenly forced to become a diplomacy ("Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony!"). It always reminds me of Blackadder - how so many great jokes were wasted by bad timing or bad judgement on the audience's vocabulary.
And for those who can't keep up with historical jokes, there's the Black Knight, Tim, and Zoot to keep you occupied. They sure as hell make me laugh.
So if you like daft humour, go for it! But promise to check out the subtle jokes as well. It's worth the effort, and you'll learn a little about history too.