John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
History is turned on its comic head when, in 10th century England, King Arthur travels the countryside to find knights who will join him at the Round Table in Camelot. Gathering up the men is a tale in itself but after a bit of a party at Camelot, many decide to leave only to be stopped by God who sends them on a quest: to find the Holy Grail. After a series of individual adventures, the knights are reunited but must face a wizard named Tim, killer rabbits and lessons in the use of holy hand grenades. Their quest comes to an end however when the police intervene - just what you would expect in a Monty Python movie.Written by
The very first shot filmed was King Arthur crossing the Bridge of Death. The very last shot was Lancelot endless running towards the castle, done as a last minute pick-up re-shoot in London (that small shot of Lancelot was actually filmed much earlier, on location, but John Cleese's running was deemed "too silly", generating a laugh and ruining the joke when he suddenly appears). See more »
After Lancelot rescues Galahad from Castle Anthrax, a crew member is briefly visible shortly after the knights go around an outside corner of the castle, just before the scene ends (look on the left side of the screen). Since breaking the fourth wall does not serve a humorous purpose here, it is a goof. See more »
The following are inserted into the real opening credits. They start as subtitles "translating" the credits into a "Pidgin-English-Swedish". (Though genuine Swedish does not use ø or ë.)
Mønti Pythøn ik den Hølie Gräilen Røtern nik Akten Di Wik Alsø wik Alsø alsø wik Wi nøt trei a høliday in Sweden this yër? See the løveli lakes The wøndërful telephøne system And mäni interesting furry animals The characters and incidents portrayed and the names used are fictitious and any similarity to the names, characters, or history of any person is entirely accidental and unintentional. Signed RICHARD M. NIXON Including the majestik møøse A Møøse once bit my sister... No realli! She was Karving her initials on the møøse with the sharpened end of an interspace tøøthbrush given her by Svenge - her brother-in-law - an Oslo dentist and star of many Norwegian møvies: "The Høt Hands of an Oslo Dentist", "Fillings of Passion", "The Huge Mølars of Horst Nordfink"... We apologise for the fault in the subtitles. Those responsible have been sacked. Mynd you, møøse bites Kan be pretti nasti... We apologise again for the fault in the subtitles. Those responsible for sacking the people who have just been sacked have been sacked. Møøse trained by YUTTE HERMSGERVØRDENBRØTBØRDA Special Møøse Effects OLAF PROT Møøse Costumes SIGGI CHURCHILLMøøse Choreographed by HORST PROT III Miss Taylor's Møøses by HENGST DOUGLAS-HOME Møøse trained to mix concrete and sign complicated insurance forms by JURGEN WIGG Møøses' noses wiped by BJØRN IRKESTØM-SLATER WALKER Large møøse on the left hand side of the screen in the third scene from the end, given a thorough grounding in Latin, French and "O" Level Geography by BO BENN Suggestive poses for the Møøse suggested by VIC ROTTER Antler-care by LIV THATCHER The directors of the firm hired to continue the credits after the other people had been sacked, wish it to be known that they have just been sacked. The credits have been completed in an entirely different style at great expense and at the last minute. Executive Producer JOHN GOLDSTONE & "RALPH" The Wonder Llama Producer MARK FORSTATER Assisted By EARL J. LLAMA MIKE Q. LLAMA III SY LLAMA MERLE Z. LLAMA IX Directed By 40 SPECIALLY TRAINED ECUADORIAN MOUNTAIN LLAMAS 6 VENEZUELAN RED LLAMAS 142 MEXICAN WHOOPING LLAMAS 14 NORTH CHILEAN GUANACOS (CLOSELY RELATED TO THE LLAMA) REG LLAMA OF BRIXTON 76000 BATTERY LLAMAS FROM "LLAMA-FRESH" FARMS LTD. NEAR PARAGUAY and TERRY GILLIAM & TERRY JONES See more »
Well, if you want original humor, meaning something different than what you normally see - this is your ticket. The above statement was true 30 years ago, and still holds. It's just silly, far-out humor.
It's not all winners, no comedy is, but there are enough of them, and enough classic bizarre scenes that it's always a hoot to re-visit this film from time to time. The only problem I have with it are the cheap shots in gives - in typical 1970s fashion - of anything Biblical. But, it's not that bad and most of the film is pretty innocent.
It's pretty much one ludicrous scene after another. I mean, where else do you see a knight fighting on after his legs are chopped off, then his arms?!! Or a killer rabbit? It was almost like watching a Marx Brothers film 40 years later with '70s irreverence.
Don't let the PG rating fool you. This would be an easy PG-13 today with all the blood, some cursing and the violence. I know some young kids, however - nice kids, too - who love this film as much as adults, so it can't be too offensive.
If I had to describe this movie in one word it would be "lunacy."
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