In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against Adolf Hitler's Nazis again to stop them obtaining its powers.
In 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before Adolf Hitler's Nazis can obtain its awesome powers.
Jeff "The Dude" Lebowski, mistaken for a millionaire of the same name, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.
Marty McFly, a 17-year-old high school student, is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown.
Director:
Robert Zemeckis
Stars:
Michael J. Fox,
Christopher Lloyd,
Lea Thompson
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
R. Lee Ermey,
Vincent D'Onofrio
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
History is turned on its comic head when, in 10th century England, King Arthur travels the countryside to find knights who will join him at the Round Table in Camelot. Gathering up the men is a tale in itself but after a bit of a party at Camelot, many decide to leave only to be stopped by God who sends them on a quest: to find the Holy Grail. After a series of individual adventures, the knights are reunited but must face a wizard named Tim, killer rabbits and lessons in the use of holy hand grenades. Their quest comes to an end however when the police intervene - just what you would expect in a Monty Python movie.Written by
garykmcd
There were numerous disagreements between Terry Gilliam and Terry Jones. Gilliam was more focused on technical aspects, while Jones was more focused on the comedy. After this, it was agreed that Jones direct the further Python films. See more »
Goofs
If the members of the anarcho-syndicalist commune are taking it in turns to be executive officer for the week, but the officer's decisions are ratified on a bi-weekly basis, then there would be a different officer installed before his decisions could be ratified. See more »
The following are inserted into the real opening credits. They start as subtitles "translating" the credits into a "Pidgin-English-Swedish". (Though genuine Swedish does not use ø or ë.)
Mønti Pythøn ik den Hølie Gräilen Røtern nik Akten Di Wik Alsø wik Alsø alsø wik Wi nøt trei a høliday in Sweden this yër? See the løveli lakes The wøndërful telephøne system And mäni interesting furry animals The characters and incidents portrayed and the names used are fictitious and any similarity to the names, characters, or history of any person is entirely accidental and unintentional. Signed RICHARD M. NIXON Including the majestik møøse A Møøse once bit my sister... No realli! She was Karving her initials on the møøse with the sharpened end of an interspace tøøthbrush given her by Svenge - her brother-in-law - an Oslo dentist and star of many Norwegian møvies: "The Høt Hands of an Oslo Dentist", "Fillings of Passion", "The Huge Mølars of Horst Nordfink"... We apologise for the fault in the subtitles. Those responsible have been sacked. Mynd you, møøse bites Kan be pretti nasti... We apologise again for the fault in the subtitles. Those responsible for sacking the people who have just been sacked have been sacked. Møøse trained by YUTTE HERMSGERVØRDENBRØTBØRDA Special Møøse Effects OLAF PROT Møøse Costumes SIGGI CHURCHILLMøøse Choreographed by HORST PROT III Miss Taylor's Møøses by HENGST DOUGLAS-HOME Møøse trained to mix concrete and sign complicated insurance forms by JURGEN WIGG Møøses' noses wiped by BJØRN IRKESTØM-SLATER WALKER Large møøse on the left hand side of the screen in the third scene from the end, given a thorough grounding in Latin, French and "O" Level Geography by BO BENN Suggestive poses for the Møøse suggested by VIC ROTTER Antler-care by LIV THATCHER The directors of the firm hired to continue the credits after the other people had been sacked, wish it to be known that they have just been sacked. The credits have been completed in an entirely different style at great expense and at the last minute. Executive Producer JOHN GOLDSTONE & "RALPH" The Wonder Llama Producer MARK FORSTATER Assisted By EARL J. LLAMA MIKE Q. LLAMA III SY LLAMA MERLE Z. LLAMA IX Directed By 40 SPECIALLY TRAINED ECUADORIAN MOUNTAIN LLAMAS 6 VENEZUELAN RED LLAMAS 142 MEXICAN WHOOPING LLAMAS 14 NORTH CHILEAN GUANACOS (CLOSELY RELATED TO THE LLAMA) REG LLAMA OF BRIXTON 76000 BATTERY LLAMAS FROM "LLAMA-FRESH" FARMS LTD. NEAR PARAGUAY and TERRY GILLIAM & TERRY JONES See more »
Alternate Versions
On all of the post-"21st Anniversary Edition" all of the film has been cleaned up considerably from the original to give a much clearer picture, also some "waste-of-time"s have been removed completely; Most noticable of this is: Before King Arthur looks up to speak to the French soldiers he looks to the left and says, (Very quietly, possibly muted in the fnal dub), what's the next line? and a person off camera tells him the line, as they are telling him you can see him moving his lips to help him prompt himself. This only happens for about 2 seconds, but happens every time that King Arthur looks up to reply or speak to the French soldiers at the Castle. See more »
I do know, however, that Monty Python and the Holy Grail is one of the funniest movies ever made. Let's face it, if the Python hadn't showed up in 1969, someone would have created them by now, or the world would be a much sadder place. Alongside Life of Brian, which is the sextet's masterpiece, Holy Grail is an excellent start if you want to get addicted to their surreal humor.
As suggested in the title, the film deals with the Arthurian stories, freely reinterpreted by the Python ensemble: after recruiting his knights, including Sir Lancelot (John Cleese), Sir Robin (Eric Idle), Sir Bedevere (Terry Jones) and Sir Galahad (Michael Palin), King Arthur (Graham Chapman) embarks on a mission from God (also Chapman, voice only though): to seek and find the Holy Grail. No need to say, the journey is going to be perilous, but also hilarious, our heroes doing their "best" to screw everything up.
As in Life of Brian, there are so many good bits choosing just one or two feels reductive and disrespectful, given the material. It's pure comedy gold from start to finish, a non-stop gag marathon: from the mock Scandinavian subtitles in the opening credits to the argument about swallows, from the Killer Rabbit to the Black Knight and the jaw-dropping epilogue, you will keep grinning like never before (if you're unfamiliar with these comedians, that is). Actually, after some serious thinking I can select two particular sequences as particularly memorable: the Knights who say "Ni!" and the Bridge of Death. The rest of the film is ace too, but those two scenes are the ones I can't stop thinking of fondly whenever the movie is mentioned.
Oh, and let's not forget Terry Gilliam's vital contribution: he doesn't appear that much as an actor (his Bridgekeeper is absolute genius, though), but he compensates that with the remarkable animations used to depict part of this epic adventure. Speaking of epic, this picture has one of the most brilliant tag-lines in comedy history, if not film history in general.
Oh yes, the world wouldn't be quite the same without the Monty Python. Even the most miserable person on the planet will laugh like a lunatic after viewing any of their films.
P.S. Ni!
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I do know, however, that Monty Python and the Holy Grail is one of the funniest movies ever made. Let's face it, if the Python hadn't showed up in 1969, someone would have created them by now, or the world would be a much sadder place. Alongside Life of Brian, which is the sextet's masterpiece, Holy Grail is an excellent start if you want to get addicted to their surreal humor.
As suggested in the title, the film deals with the Arthurian stories, freely reinterpreted by the Python ensemble: after recruiting his knights, including Sir Lancelot (John Cleese), Sir Robin (Eric Idle), Sir Bedevere (Terry Jones) and Sir Galahad (Michael Palin), King Arthur (Graham Chapman) embarks on a mission from God (also Chapman, voice only though): to seek and find the Holy Grail. No need to say, the journey is going to be perilous, but also hilarious, our heroes doing their "best" to screw everything up.
As in Life of Brian, there are so many good bits choosing just one or two feels reductive and disrespectful, given the material. It's pure comedy gold from start to finish, a non-stop gag marathon: from the mock Scandinavian subtitles in the opening credits to the argument about swallows, from the Killer Rabbit to the Black Knight and the jaw-dropping epilogue, you will keep grinning like never before (if you're unfamiliar with these comedians, that is). Actually, after some serious thinking I can select two particular sequences as particularly memorable: the Knights who say "Ni!" and the Bridge of Death. The rest of the film is ace too, but those two scenes are the ones I can't stop thinking of fondly whenever the movie is mentioned.
Oh, and let's not forget Terry Gilliam's vital contribution: he doesn't appear that much as an actor (his Bridgekeeper is absolute genius, though), but he compensates that with the remarkable animations used to depict part of this epic adventure. Speaking of epic, this picture has one of the most brilliant tag-lines in comedy history, if not film history in general.
Oh yes, the world wouldn't be quite the same without the Monty Python. Even the most miserable person on the planet will laugh like a lunatic after viewing any of their films.
P.S. Ni!