Reikä yöpaidassa

Name: Mio Dio, come sono caduta in basso!
Genre: Comedy
Released: 1975-08-29
Duration: 1 h 50 min
Rating: 6.7
Cast: Laura Antonelli, Alberto Lionello, Michele Placido

Original title: Mio Dio, come sono caduta in basso!

19741974
K-16K-16
1h 50m

IMDb RATING

6.7/10

643

YOUR RATING

Comedy

The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter writ... Read allThe Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French he... Read allThe Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French headtown. The pair decide, to avoid the scandal, to live as brother and sister. He will late... Read all

IMDb RATING

6.7/10

643

YOUR RATING

Director
- Luigi Comencini
Writers
- Luigi Comencini(screenplay)
- Ivo Perilli(screenplay)
Stars

See production, box office & company info

See more at IMDbPro

Awards
- 1 win & 1 nomination

Photos36

Laura Antonelli and Michele Placido in Reikä yöpaidassa (1974)

Laura Antonelli and Alberto Lionello in Reikä yöpaidassa (1974)

Laura Antonelli in Reikä yöpaidassa (1974)

Karin Schubert in Reikä yöpaidassa (1974)

Featured review

9/10

Wo-olf!

Laura Antonelli brings whole new dimensions to the word "luscious" in this movie. She makes the seemingly stock character of the barely-reluctant virgin come alive in her scenes with Placido, thanks to her big eyes and adorably trembling lower lip. And then there's that body...

In addition, "Marriage" has a lot of wry commentary on Italy of the early 1900s. The upper class were a ragingly nationalist bunch not unlike some sectors of the U.S. populace today. (It helps the enjoyment of the film if one knows who Gabriele d'Annunzio was.) A conscript's baleful response to a officer's 'fire them up' speech is the funniest line of the film, one I haven't forgotten.

I saw this in a little independent theatre, and went back for a second helping. If you can find this one on video, rent it!

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