A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
Scaramanga is a hit-man who charges a million dollars per job. He becomes linked to the death of a scientist working on a powerful solar cell, and James Bond is called in to investigate. As he tracks down Scaramanga, he realises that he is highly respected by the killer, but will this prove to be an advantage in the final showdown?Written by
Graeme Roy <firstname.lastname@example.org>
The literal translations of some of this film's foreign language titles include: 007 Against The Man With The Golden Pistol (Brazil); The Man With The Golden Colt (Germany); 007 And The Golden Gun (Finland); and 007 Versus The Golden Gun (China). See more »
There is other traffic around the overturned taxi as it appears to the approaching police cars, including a white Toyota Crown which pulls to the left and stops. When the police cars crash into the taxi, all of the other vehicles are gone. See more »
The nefarious (I've no idea what that means, but I know it works) super-assassin Francisco Saramanga is out to kill Bond. Because he's like that. Scaramanga charges a million dollars a hit and is the only person in the world who has a slim chance of getting to Bond. Concerned for his safety, M takes Bond off active duty.
Never perturbed (not really sure of that word either), Bond still investigates and soon discovers that Scaramanga has stolen the 'priceless' Solex Agitator. Oh yeah, one of those! A mere MacGuffin and no more. In his mission to retrieve said 'agitator' Bond travels to Thailand and Hong Kong and gets into many silly fights, one involving a midget butler. He even finds time stress-out hillbilly Sheriff JW Pepper once more and...erm...'roger' his gorgeous assistant Mary Goodnight.
It's very dumb and thoroughly unsophisticated but it's all in the name of fun and Roger Moore's light, somewhat innocent way of playing Bond just keeps you smiling all the way through. I also liked John Barry's score, despite the fact he claims it's his weakest effort on the series.
TMWTGG was the last Bond film to be shot in a 1.85:1 aspect ratio and I do feel that if it was shot in Panavision then it would have more slick and polished look. 33 years on, TMWTGG looks too grainy and dated and appears older than it is. I'm not sure why Guy Hamilton chose to film it this way when 4 previous Bond films had already been made in Scope widescreen.
Definitely one of the lesser Bond movies but saved by sense of humor and never-ending fun. Rent this one.
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