It's the late 1920s. Upon the death of wealthy Chicagoan Edward Dennis, his nine-year old son Patrick Dennis becomes the ward of their only living relative, Edward's equally wealthy New ...
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Nicky and Tacy are going to be married. Nicky wants to save up money for a house, but Tacy dreams of starting off with their own home on wheels--a trailer. After the two are hitched, they ... See full summary »
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
When college professor Peter Proud begins to experience flashbacks from a previous incarnation, he is mysteriously drawn to a place he has never been before but which is troublingly ... See full summary »
J. Lee Thompson
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
It's the late 1920s. Upon the death of wealthy Chicagoan Edward Dennis, his nine-year old son Patrick Dennis becomes the ward of their only living relative, Edward's equally wealthy New York residing sister, Mame Dennis. Edward's will states that Patrick is to be raised Protestant in a "traditional" manner and that the trustee, Mr. Babcock with the Knickerbocker Bank, will pay Mame for expenses incurred in raising Patrick, he having the right of refusal to pay if he deems that the spirit of Edward's will is not honored. Mr. Babcock and Patrick's longtime nanny, the timid Agnes Gooch, are to ensure that Patrick is raised correctly. Edward included these stipulations in his will as he knows his sister is a flamboyant, free wheeling and eccentric woman who can be considered anything but traditional or conventional. Despite the disruption each provides in the other's life, Mame and Patrick form a loving, supportive relationship. Mame wants to provide her sense of guidance to Patrick, ...Written by
During the reading of Patrick's father's will (set no later than 1929), it is stated that his residence was on Lake Shore Drive in Chicago. Lake Shore Drive was not constructed until 1937 and would not be known by that name until 1946. See more »
The Paragon of American Film: 1970s Opulence Over '50s/'60s Camp & Kitsch
Like the glorious cinematography from beginning to end, "Mame" sparkles in true silver-screen opulence and is to the embarrassment of 1950s/1960s musicals and films represented by "Auntie Mame" that 1970s "Stars Wars" is to the embarrassment of 1950s/1960s science-fiction films. On par with 1970s "The Black Stallion" and "The Godfather," the unsurpassed cinematography during a time when silver was still used in film-making, with every shot of Lucy a photographic masterpiece, the lush orchestrations and arrangements of the masterfully-reworked songs brought to shimmering life by the 1970s characteristic most monstrous orchestras in history, the seamless dance numbers and unparalleled choreography, and some of the most touching scenes in all of film, with young-Patrick singing to Lucy after her cameo stage number, all come together in a chef d'oeuvre that elevates this "Queen of Television" to her throne as "The Queen of Film" too. The intellectual and artist apex of this civilization represented by the 1970s is in blazing contrast against the campiest and most kitschy time-period in history represented by 1950s/1960s film, television, and music. And this film, Lucy's most revered trophy, stands as that symbol.
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