5.6/10
71
4 user 2 critic

La jeune fille assassinée (1974)

X | | Crime, Drama | 22 June 1975 (USA)
This movie is about a woman, Charlotte, who goes in search of the ultimate sexual experience.

Director:

Roger Vadim

Writers:

Roger Vadim, Stash Klossowski (dialogue collaborator) (as Stash de Rola)
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Cast

Complete credited cast:
Sirpa Lane ... Charlotte Marley
Michel Duchaussoy ... Serge
Mathieu Carrière ... Eric von Schellenberg
Roger Vadim ... Georges Viguier
Alexandre Astruc ... L'éditeur Guy
Anne-Marie Deschodt ... Eliane
Elisabeth Wiener ... Elisabeth
Thérèse Liotard ... Louise
Sabine Glaser Sabine Glaser ... Agnès
Anthony Steffen ... Le Prince Sforza
Annie Noël Annie Noël ... La caissière
Louis Arbessier Louis Arbessier ... Le père du Charlotte
Josette Harmina Josette Harmina ... La mère du Charlotte
Igor Lafaurie Igor Lafaurie ... Le frère
Lilian Grumbach Lilian Grumbach ... La femme de l'éditeur Guy
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Storyline

This movie is about a woman, Charlotte, who goes in search of the ultimate sexual experience.

Plot Summary | Add Synopsis

Taglines:

Every act of love can be repeated... except one.

Genres:

Crime | Drama

Certificate:

X | See all certifications »
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Details

Country:

France | Italy | West Germany

Language:

French

Release Date:

22 June 1975 (USA) See more »

Also Known As:

Charlotte See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)
See full technical specs »
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Did You Know?

Trivia

Italian censorship visa # 66083 delivered on 25-2-1975. See more »

Crazy Credits

Mathieu Carrière is credited at the beginning of the movie as "Mathieu Carrière", and in the end credits as "Matthieu Carrière". See more »

Soundtracks

Ich bin von Kopf bis Fuß auf Liebe eingestellt
Sung by Marlene Dietrich
See more »

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User Reviews

 
White Trash post-68 style
27 August 2005 | by Thorsten_BSee all my reviews

Roger Vadim surpasses himself in this one: His acting is even worse than his direction. The story obviously wants to take a shocking look at the dark side of love as they take place - not surprisingly - in the world of the rich and famous. If it only were for this moral aspect, the film might have been entertaining; but in fact, the insights into the decadence are too "fashioned". Social reality in the 68-era was not about reaching to heights of hedonism, but this film acts as if. Don't worry to miss any clichés, there are all here: From the rich but strange billionaires son to the deranged homosexual and the nymphomaniac chick. It's all dressed in a sort of crime-story mainly told in flashbacks, with the least likable protagonist imaginable. Too sum up, this one is so bad and pretentious that it almost becomes interesting again just because of these qualities.


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