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Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to talk or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results.Written by
Mike D'Angelo <firstname.lastname@example.org>
After Kaspar is left in the town square, there is one shot of him where the way he holds the note, and the way the bandanna is tied, that is different from before or after. See more »
Kaspar, what's wrong? Are you feeling unwell?
It feels strong in my heart... The music feels strong in my heart... I feel so unexpectedly old...
You've been such a short time in the world, Kaspar...
Why is everything so hard for me? Why can't I play the piano like I can breathe?
In the two short years you have been here with me, you have learned so much! The people here want to help you make up for lost time.
The people are like wolves to me.
No. You mustn't say that...
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Opening credits prologue: One Sunday in 1828 a ragged boy was found abandoned in the town of N. He could hardly walk and spoke but one sentence.
Later, he told of being locked in a dark cellar from birth. He had never seen another human being, a tree, a house before.
To this day no one knows where he came from - or who set him free.
Don't you hear that horrible screaming all around you? That screaming men call silence? See more »
Werner Herzog's film deals with the true story of Kasper Hauser (Bruno S.), a young man who appears, supposedly out of nowhere in a small German town of Nuremberg in 1828. The film deals with Kasper's slow educational process and his introduction into polite society by Professor Daumer (Walter Ladengast). Kasper is a true outsider, and the film looks at the problems this creates (for example, Kasper is unable to believe that god could create the entire universe from scratch, so he his shunned by the church elders).
The films title (The Enigma of Kasper Hauser is just one of many others) seems to sum up the film perfectly. We never really know just who Kasper is and why the mysterious man wants to hurt him; the film ends up giving us more questions than answers. But the beauty of the film lies in the performance of Bruno S. his child like innocence and odd take on life is so pure and beautiful, I love the scene where he talks about how he sowed his name in seeds, and how someone had trodden on it. This seems to be a pretty clear metaphor for the film, how Kasper was crushed by the town folk, and used for social merit.
Herzog's visuals are also fantastic, from the soft focus opening of the boat on the lake; to Kasper's dream of the caravan at the end he fills the film with a mixture of the naturalistic and the surreal. No other director has given his films such an air of the hypnotic and the style works wonders with this story. Kasper Hauser is a beautiful, if at times painfully slow film, that gives us yet another interpretation of the outsider in society, definitely worth the watch.
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