Kaspar Hauserin tapaus

Werner Herzog's said at his Rogue Film School, that the following scenes were shot with a Super-8mm camera: a) The opening scene on the river. b) The montage of landscape shots early in the film. c) Right after the man in black teaches Kaspar how to walk. d) The Caucasus pyramid sequence. e) The caravan in the desert with the old man tasting the sand. Herzog talked about how, for some of the landscape shots early in the film, he mounted a telephoto lens on the end of wide angle lens onto his Super 8 camera. This distorted the edges of the images and created a white/halo effect around the frame. On the DVD audio commentary of this film, he mentions how for the Caucasus pyramid sequence he projected the image onto a screen and then re-photographed the image with a 35mm camera at a different frame rate from the projected speed. He also used this technique with the caravan in the desert sequence.

In a brief scene we see a stork eating a frog with its legs tagged (ringed), but bird ringing didn't start until the end of the nineteenth century, decades after the life of Kaspar Hauser.

Opening credits prologue: One Sunday in 1828 a ragged boy was found abandoned in the town of N. He could hardly walk and spoke but one sentence.

Later, he told of being locked in a dark cellar from birth. He had never seen another human being, a tree, a house before.

To this day no one knows where he came from - or who set him free.

Don't you hear that horrible screaming all around you? That screaming men call silence?

Featured in Was ich bin, sind meine Filme (1978)