The mutant babies have been placed by court order on a deserted island. Appalled by the cycnicism and exploitation of the children by the legal system and the media, the man responsible for... See full summary »
NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
A comic-book artist meets a woman on the NY streets, but after a quick flirtation, she suddenly collapses, and is picked-up by an old ambulance. He checks all the hospitals in the area, but the woman seems to have disappeared.
James Earl Jones,
When Uncle Charley takes a Chris fishing, you can see the license plate on Charley's car is WAW JR. This stands for William A Wellman, Jr., the actor playing Charley. This appears to indicate that Wellman was driving his own car for the shot or it was an in joke. See more »
(at around 1h 07 mins) When the character Frank is approaching the baby bed, you can see a crew member reflected in the mirror to Frank's right (the viewer's left). See more »
Had the Davis baby been breast-fed, this massacre might never have happened.
Screw the negative reviews! If you're into Larry Cohen movies, you will most certainly enjoy this one. Sure it's cheezy, sure it's unbelievable, but nevertheless, it's fun!
What few realize is that this film was intended as a spoof of sorts on Roman Polanski's film, "ROSEMARY'S BABY". You cannot watch this, or either of it's sequels, expecting to take things completely seriously.
John P. Ryan, who plays Frank Davis, is great in this. Ryan, in my opinion, is a terrific actor and is always worth watching. Cohen employed the talents of legendary composer, Bernard Herrmann, to score this film. The score, being one of Herrmann's last compositions, is truly tremendous and gives the film it's essential monster movie feel. Rumor has it that Herrmann passed on an opportunity to score William Friedkin's mainstream horror film, "THE EXORCIST", in favor of this independent project.
If you're looking for a great exploitation epic from the grand ol' days of '70s cinema, you won't be disappointed. The sequels, "IT LIVES AGAIN" and "IT'S ALIVE III: ISLAND OF THE ALIVE", are also worth a look.
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