Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments". Ilsa's goal is to prove that women can withstand more pain and suffering than men and therefore should be allowed to fight on the front lines.
In 1953, nestled deep in the unforgiving Siberian Tundra, the Stalinist Gulag 14 is a purgatory under the command of the brutally seductive tormentor, Ilsa. More than two decades later, the camp's sole survivor thirsts for retribution.
In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other,... See full summary »
Erwin C. Dietrich
Believe it or not even in Smalltown USA there are still people who are unfulfilled and unrelieved in the midst of plenty. Levonna & Lamar could have the perfect relationship if it were not ... See full summary »
This kicks off with the murder of one Adolf Schwartz (who bears a striking resemblance to another famous Adolf) by placing a ravenous piranha fish in his bathtub. Who did it? No-one knows ... See full summary »
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official, who plans to use the information to blackmail Hitler and gain power himself.
Teresa Ann Savoy
The scene is set from the start - Ilsa, chief warden of a Nazi concentration - is enjoying the pleasures of one of her male captives. He has the temerity to orgasm before she does, and is speedily hauled off by 2 of Ilsa's henchwomen for speedy castration. Shortly after, a lorry load of fresh female captives arrives. Ilsa informs them: "Do not be afraid, we are doctors." While this statement is true, the reality is that she wishes to use them in "medical experiments" to prove that women are as able to withstand pain as men, in fact better. This is in fact "proved" by flogging one of each to death at the same time, with the two henchwomen laying on with whips while stripped to the waist. After much more along the same lines, Ilsa's nemesis arrives - a blond, blue-eyed American who has been swept up in the death camps. He satisfies her, but weakened by lust for him, Ilsa fails to spot the inevitable prisoners revolt which reverses the table on the baddies. Ilsa is given the full, um, ...Written by
Loosely--VERY loosely--based on the life of Ilse Koch ("known as "The Bitch of Buchenwald"), the wife of the SS commandant of the Nazi extermination camps of Buchenwald and Majdanek during World War II. She was infamous for her sadistic treatment of prisoners, including selecting ones with unique tattoos, having them murdered--sometimes even killing them herself--and then skinned, after which she would have lampshades made from the tattooed skin. She was arrested after the war, tried for crimes against humanity and sentenced to life in prison. She committed suicide in her cell in 1967. See more »
The German machine gun used in the film is in fact a U.S. 50 caliber Browning. See more »
You have been given the honor of sleeping with a German woman, an officer of the SS!
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Ilsa, She Wolf of the SS certainly deserves its reputation as a nasty film. Although it is thoroughly cheesy, poorly acted, routinely directed, and extremely camp at times, the film still packs a punch due to its ability to offend and disgust at every turn; the depiction of Nazi atrocities in the name of entertainment is hard to defend (so I'm not even going to try) and this movie pulls no punches with its well executed graphic violence and horrific torture scenes.
Ilsa, played with gusto by chesty blonde Dianne Thorne, is the Kommandant at a concentration camp where she oversees medical research performed on the female prisoners. Meanwhile, she uses the males to try and satisfy her sexual needs (and when they fail, she has them castrated!). It is up to German/American stud Wolfe to lead the prisoners in a revolt against the guards whilst simultaneously gaining Ilsa's trust by rogering her senseless at every opportunity.
This notorious sleaze classic packs so much depravity into its 96 minutes running time (uncut), that lovers of exploitation will have a field day. From the opening scene in which Ilsa's sex slave is dragged back to the camp to be emasculated, to the ending in which the prisoners exact bloody retribution, sex and violence pervades every frame. The effective make-up FX by Joe Blasco are repugnant enough for hardened gore-hounds and fans of the female form will be delighted by the copious amounts of nudity (nearly every woman gets naked at some point in the film!). And lets not forget the scene in which Ilsa pees on the Nazi general...
Thirty years after it was made, Ilsa still has the ability to shockthe mark of a true exploitation classic!
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