Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments." Ilsa's goal is to prove women can withstand more pain and suffering than men, and therefore should be allowed to fight on the front lines.
George 'Buck' Flower
- Binzas Binz
- (as C.D. Lafleuer)
Richard Kennedy
- Generalas General
- (as Wolfgang Roehm)
Wayne Beauchamp
- Prisoneras Prisoner
- (uncredited)
Sandy Dempsey
- Prisoneras Prisoner
- (uncredited)
Jacqueline Giroux
- Rosetteas Rosette
- (uncredited)
The scene is set from the start - Ilsa, chief warden of a Nazi concentration - is enjoying the pleasures of one of her male captives. He has the temerity to orgasm before she does, and is speedily hauled off by 2 of Ilsa's henchwomen for speedy castration. Shortly after, a lorry load of fresh female captives arrives. Ilsa informs them: "Do not be afraid, we are doctors." While this statement is true, the reality is that she wishes to use them in "medical experiments" to prove that women are as able to withstand pain as men, in fact better. This is in fact "proved" by flogging one of each to death at the same time, with the two henchwomen laying on with whips while stripped to the waist. After much more along the same lines, Ilsa's nemesis arrives - a blond, blue-eyed American who has been swept up in the death camps. He satisfies her, but weakened by lust for him, Ilsa fails to spot the inevitable prisoners revolt which reverses the table on the baddies. Ilsa is given the full, um, lash by the delectable Dianne Thorne - the bogus German action laid on with a trowel, magnificent breasts deployed at every available opportunity. The success of Ilsa begat a series of similarly themed knock offs by the one and only Jess Franco - the best of these, set in a dodgy South American prison - is Ilsa, Wicked Warden. —tmulqueen
Top review
Classic
An exploitation classic that is a surprisingly enjoyable film. Ilsa, the Arian commandant of a secret medical facility, sets out to prove to her doubting superiors that women are able to endure greater pain and suffering than men. She does this by torturing the female inmates in increasingly diabolical ways, while trying to break the American 'sexual freak of nature', Wolfe. Cue lots of gratuitous nudity, castration, strangulation, boiling alive, magnificent pre-implant breasts, softcore sex and gang rape, golden showers, and general bloody mayhem. The German accents are hilarious, and the acting barely one step up from Hershael Gordon Lewis and early John Waters. It even has the ubiquitous 'moral message' at the beginning. But unlike so many of these movies, 'Ilsa' manages to avoid descending into tedious repetition half way through, and builds to a brilliantly ludicrous climax in which an entire camp is gunned down by machine gun fire, without a drop of blood being spilt. Brilliant.
helpful•215
- Rathko
- Mar 23, 2006
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