Himiko (1974)

A freestyle, imagined telling of the life of shaman queen Himiko, who falls in love with her half-brother, making her powers weaken thus putting her position to risk.

Director:

Masahiro Shinoda

Writers:

Masahiro Shinoda, Taeko Tomioka

Stars:

Shima Iwashita, Masao Kusakari, Rie Yokoyama

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Shima Iwashita	...	Himiko
Masao Kusakari	...	Takehiko
Rie Yokoyama	...	Adahime
Chôichirô Kawarasaki	...	Mimaki
Kenzô Kawarasaki	...	Ikume
Yoshi Katô	...	Ohkimi
Jun Hamamura	...	Narrator
Tsuchimi Kurata
Teishiro Nishijima
Mitsugu Fujita
Tadashi Yoshizumi
Mayumi Kyô
Akio Marubayashi
Akemi Harada
Yôko Shibata

Storyline

A freestyle, imagined telling of the life of shaman queen Himiko, who falls in love with her half-brother, making her powers weaken thus putting her position to risk.

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Plot Keywords:

shaman | name in title | knife in vagina | pierced by arrow | hit by multiple arrows | 

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Genres:

Drama | Fantasy | History

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Did You Know?

Trivia

12th collaboration between husband-and-wife team Masahiro Shinoda and Shima Iwashita.

User Reviews

The distant past, seen through a Modernist lens

Really excellent film. There's a very rare subgenre of historical films: ones that aim to bring to life ancient times...but not by an "authentic" recreation of the past -- instead, the director uses experimental/modernist cinematic techniques to bring traditional folklore and beliefs firmly into relation with the present. Examples include "Shadows of Forgotten Ancestors" (1965, Paradjanov), "Marketa Lazerova" (1967, Vlacil), "The Night of Counting the Years" (1969, Chadi Abdel Salam). Like these, "Himoko" powerfully reanimates dormant cultural world-views, and is particularly successful at connecting them to our era.

"Himoko" retells an ancient Japanese legend of a shaman-queen. The story is timeless and "universal", yet the world of "Himoko" is a particular Shinto animist world, in which gods of the sun and the land directly control people's lives. The viewer is pulled into the past, by the beautiful unspoiled forest and mountain landscapes, the peoples' costumes and rituals, and most powerfully by the intensity of the performances -- especially Shima Iwashita as Himoko, whose extraordinary performance conveys the fervid complete conviction of shamanistic beliefs. (My new favorite Japanese actress!)

But the viewer is also pushed into the present. The director Shinoda does not try to fool the viewer with an "authentic" past: the indoor scenes are staged in a space resembling a theatrical set or art gallery, with clearly unnatural (but beautifully dramatic) lighting. A troupe of five Butoh dancers perform stunning, horrifying, evocative dance-rituals throughout, acting sometimes as a Greek chorus outside the story-space, at other times directly involved in the action. And the film's coda breaks the fourth wall, making it plain that Shinoda is less interested in the distant past, than the way that ancient things still live within the present.

Details

Country:

Japan

Language:

Japanese

Release Date:

23 February 1979 (USA)

Also Known As:

卑弥呼

Company Credits

Production Co:

Art Theatre Guild (ATG), Hoygensha

Technical Specs

Runtime:

100 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1