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Hearts and Minds (1974)

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An examination of the conflicting attitudes of the opponents of the Vietnam War.

Director:

Peter Davis
Won 1 Oscar. Another 4 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Tin Chan Tin Chan ... Himself (as Faither Chan Tin - Saigon)
Chau Diem Chau Diem ... Himself - Editor of Trinh Bay Magazine
Ngo Dinh Diem ... Himself (President of South Vietnam) (archive footage)
John Foster Dulles John Foster Dulles ... Himself (Secretary of State 1953-1959) (archive footage)
Kay Dvorshock Kay Dvorshock ... Herself
Dwight D. Eisenhower ... Himself (President of the United States) (archive footage)
David Emerson David Emerson ... Himself - Concord, Massachusetts
Mui Duc Giang Mui Duc Giang ... Himself - Coffin Maker
Chi Minh Ho Chi Minh Ho ... Himself (archive footage)
Charles Hoey Charles Hoey ... Himself - Air Force, Saigon
Stan Holder Stan Holder ... Himself - Corporal, Placitas, New Mexico
Jerry Holter Jerry Holter ... Himself - Air Force, Saigon
Vo Thi Hue Vo Thi Hue ... Herself - Hung Dinh Village
Lyndon Johnson ... Himself (archive footage)
John F. Kennedy ... Himself (President of the United States) (archive footage)
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Storyline

This film recounts the history and attitudes of the opposing sides of the Vietnam War using archival news footage as well as its own film and interviews. A key theme is how attitudes of American racism and self-righteous militarism helped create and prolong this bloody conflict. The film also endeavors to give voice to the Vietnamese people themselves as to how the war has affected them and their reasons why they fight the United States and other western powers while showing the basic humanity of the people that US propaganda tried to dismiss. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Add Synopsis

Genres:

Documentary | War

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French | Vietnamese

Release Date:

17 November 1975 (Sweden) See more »

Also Known As:

Hearts and Minds See more »

Filming Locations:

Linden, New Jersey, USA See more »

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Box Office

Opening Weekend USA:

$8,556, 22 October 2004, Limited Release

Gross USA:

$28,754, 31 December 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

During his Oscar acceptance speech producer Bert Schneider read a letter from the head of the Viet Cong lauding his film. Bob Hope prompted Oscar host Frank Sinatra to disclaim any political statements that had been made during the show. See more »

Quotes

[first lines]
Clark Clifford, Aide to President Truman: When the second World War was over, we were the one great power in the world. The Soviets had a substantial military machine; but, they could not touch us in power. We had this enormous force that had been built up. We had the greatest fleet in the world. We come through the War economically sound. And, I think that in addition to feeling a sense of responsibility, we also began to feel the sense of a world power - that possibly we could control the future of the world.
See more »

Crazy Credits

The listed translators credited in the movie (Le Thai To, Trung Trac, Le Thanh Tong and Trung Hung Dao) were all Vietnamese generals who had defeated the Chinese in various times from the first century C.E., to the fifteenth century C.E. The translator listed as Nguyen Ai Quoc was an early alias of Ho Chi Minh, founder of the Vietnamese Communist Party. I have no knowledge of the last listed translator, Barbara Gore. Apparently, someone played a good joke on the producers of this film, if it wasn't the translators themselves. See more »

Connections

Features The Mask of Fu Manchu (1932) See more »

Soundtracks

There's a Star-Spangled Banner Waving Somewhere
(uncredited)
Written by Paul Roberts and Shelby Darnell
Performed by Wynn Stewart
See more »

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User Reviews

Absolutely heartbreaking stuff.
15 August 2003 | by LumpenproleSee all my reviews

Occasionally Hearts and Minds comes over as too obvious and aggressive, as in the shockingly unflattering edits of glib, racist Americans piled one on top of another and the literal link the director draws between football and war. (Then again, I'm 31 years old and just don't know how open such racism was then, but the cuts from bigot to bigot are just brutal and perhaps it's wishful thinking on my part to assume that the director was unfair.) Also, it seems the communist NLF did no wrong that was worth putting in the film. Instead the director concentrated on eloquent nationalist sentiments. I happen to agree entirely with the assessment of the war shown in the film, but even with my sympathies it's hard not to notice that this film that concentrates so brilliantly on the suffering of real people before an evil policy focuses almost solely on the crimes of the Americans and their South Vietnamese allies. But maybe that was someone else's film to make and, at that moment in time, the director probably felt that there was enough coverage of NLF as just plain evil people. It's a small gripe about such a mammoth film. Documentary is not Truth, no retelling of an event ever is. Hearts and Minds is an unapologetically partisan film and is so much the better for being honest about it.

I'm `oriental' myself. Well, `oriental' enough that I know all those slurs and dismissive comments would have applied to my family and me. It was absolutely eerie for me to see people from Gen. Westmorland down to Americans watching parades on Main St. who had nothing but contempt for the people that to this day many swear the US was trying to save.

I'm not sure how many times I've ever seen the victim of bombing express himself outside of this film and that's sad. How many people were bombed in the last century? Millions certainly. In the US we've become so accustomed to hearing that our foreign policy requires almost annual bombings somewhere on earth. Particularly during the Clinton years, punishing through air strikes became so routine that it barely merited news coverage. These attacks may not be as indiscriminate as they used to be, but how many people in our history did that one anguished man speak for as he wept about his family and his home?

The sheer carnage on display in Hearts and Minds made the whole war film genre seem perversely sentimental to me. It's seldom helpful to hold up fiction to docu-footage, but, in this case, any number of moments from Hearts and Minds makes otherwise impressive films like Apocalypse Now! and Platoon seem like acts of bad taste.


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