9.0/10
970,872
760 user 165 critic

The Godfather: Part II (1974)

Trailer
3:19 | Trailer

Watch Now

From $2.99 (SD) on Prime Video

ON TV
ON DISC
ALL
The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.

Writers:

Francis Ford Coppola (screenplay by), Mario Puzo (screenplay by) | 1 more credit »
Reviews
Popularity
444 ( 107)
Top Rated Movies #3 | Won 6 Oscars. Another 11 wins & 20 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

The Godfather (1972)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9.2/10 X  

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

Director: Francis Ford Coppola
Stars: Marlon Brando, Al Pacino, James Caan
Drama
    1 2 3 4 5 6 7 8 9 10 9.3/10 X  

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Director: Frank Darabont
Stars: Tim Robbins, Morgan Freeman, Bob Gunton
Goodfellas (1990)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.

Director: Martin Scorsese
Stars: Robert De Niro, Ray Liotta, Joe Pesci
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

In German-occupied Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazi Germans.

Director: Steven Spielberg
Stars: Liam Neeson, Ralph Fiennes, Ben Kingsley
Pulp Fiction (1994)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

The lives of two mob hitmen, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Director: Quentin Tarantino
Stars: John Travolta, Uma Thurman, Samuel L. Jackson
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9/10 X  

When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.

Director: Christopher Nolan
Stars: Christian Bale, Heath Ledger, Aaron Eckhart
Forrest Gump (1994)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

The presidencies of Kennedy and Johnson, Vietnam, Watergate, and other history unfold through the perspective of an Alabama man with an IQ of 75.

Director: Robert Zemeckis
Stars: Tom Hanks, Robin Wright, Gary Sinise
Adventure | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director: Peter Jackson
Stars: Elijah Wood, Viggo Mortensen, Ian McKellen
Fight Club (1999)
Drama
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more.

Director: David Fincher
Stars: Brad Pitt, Edward Norton, Meat Loaf
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

A young FBI cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.

Director: Jonathan Demme
Stars: Jodie Foster, Anthony Hopkins, Lawrence A. Bonney
The Matrix (1999)
Action | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.

Directors: Lana Wachowski, Lilly Wachowski
Stars: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss
Adventure | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

Director: Peter Jackson
Stars: Elijah Wood, Ian McKellen, Orlando Bloom
Edit

Cast

Cast overview, first billed only:
Al Pacino ... Michael
Robert Duvall ... Tom Hagen
Diane Keaton ... Kay
Robert De Niro ... Vito Corleone (as Robert DeNiro)
John Cazale ... Fredo Corleone
Talia Shire ... Connie Corleone
Lee Strasberg ... Hyman Roth
Michael V. Gazzo ... Frankie Pentangeli
G.D. Spradlin ... Senator Pat Geary
Richard Bright ... Al Neri
Gastone Moschin ... Fanucci (as Gaston Moschin)
Tom Rosqui Tom Rosqui ... Rocco Lampone
Bruno Kirby ... Young Clemenza (as B. Kirby Jr.)
Frank Sivero ... Genco
Francesca De Sapio ... Young Mama Corleone (as Francesca de Sapio)
Edit

Storyline

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

All the power on earth can't change destiny.

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Italian | Spanish | Latin | Sicilian

Release Date:

20 December 1974 (USA) See more »

Also Known As:

Son of Godfather See more »

Edit

Box Office

Budget:

$13,000,000 (estimated)

Gross USA:

$57,300,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (The Godfather Trilogy 1901-1980 VHS Special Edition)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
Edit

Did You Know?

Trivia

James Caan asked that he be paid the same amount of money to play Sonny Corleone at the end of the film in the flashback as he was paid to do The Godfather (1972). He got his wish. See more »

Goofs

At the New Year's Eve party in the Cuban ballroom, there is in aerial shot that clearly shows Michael with his hands around Fredo's face amidst a very crowded room to deliver "you broke my heart". However this had not taken place yet because Michael is eating at the end of the table with Fredo and Senator Geary *before* the midnight celebration. "You broke my heart" comes after the stroke of midnight. Also, the room was far less crowded as they were eating when a unit of soldiers march thru the middle of the ballroom. See more »

Quotes

[first lines]
Title Card: The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
Woman: [subtitled from Italian] They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
See more »

Crazy Credits

Closing credits state that this film is "Based on the Novel "The Godfather" by Mario Puzo." In fact, only the scenes showing the young Vito have any basis in the novel. Everything dealing with Michael Corleone and his family in Las Vegas was created for the film, with the exception of the character Deanna Dunn. See more »

Alternate Versions

A 175 minute cut of the film was tested in select markets during its theatrical release in tandem with the uncut version. See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #21.130 (2013) See more »

Soundtracks

Senza Mamma
(F. Pennino Edition)
Francesco Pennino
Performed by Livio Giorgi
See more »

Frequently Asked Questions

See more »

User Reviews

 
Excellent, but could be in the dictionary under "sprawl"
10 May 2005 | by BrandtSponsellerSee all my reviews

Series note: It is almost unthinkable to watch this film without having seen The Godfather (1972) first. This is a direct continuation of that story.

The good news is that The Godfather Part II has many amazing qualities, including fantastic performances from a superb cast, sublime, unprecedented visuals that no one else has been able to capture since, and very engaging stories. The bad news is that this should have easily been a 10, but overall, it is so sprawling and unfocused that I can't possibly give it more than a 9, which it only earns because the assets transcend what's basically a mess overall. Because it should have been a 10, and most other reviews will tell you about the positive points at length, I may pick on more things in my review than you would think I would for a 9, but rest assured that even with the flaws, The Godfather Part II is still essential viewing.

Director/co-writer Francis Ford Coppola cleverly begins the film with parallels to The Godfather. We see Michael Corleone (Al Pacino) "in the role" of his father, Vito (Marlon Brando), from the first film, accepting prostrating guests while a party is going on outside. Like the first film, the party consumes a lot of time while we get to know some of the principal characters. Perhaps during this segment, perhaps a bit after, we realize that maybe the beginning wasn't so clever after all, because the structure of The Godfather Part II parallels The Godfather from a broad perspective, as if Coppola and co-writer Mario Puzo used the first film as something of a template to create this one.

After the party is over, there is an attempted hit on Michael, and we quickly learn that not everything is rosy in the Corleone's mafia world. Michael believes that someone on the "inside" was involved with the hit. This launches a complicated sequence of events that has Michael, who is now living in Nevada, traveling to Miami, Cuba, New York, and so on. He accuses different people of involvement in the attempted hit depending on whom he is talking to. This may have all been part of a grand scheme to set up the responsible parties, but one of the flaws of the film is that Coppola doesn't convey Michael's underlying thoughts about this very well, not even later, and not through his actions. Rather than feeling like a clever set-up, it starts to feel like slightly muddled writing.

During the middle section of the film, which goes on for hours, we also have a hint of a problem that plagued The Godfather--a bloated cast. There are bit too many characters who aren't well enough presented or explained. You may need to keep a scorecard.

Coppola and Puzo also treat us to many extended "flashback" segments, and I mean way back, to Vito as a boy and young man, played by Robert De Niro. For my money, these were the best scenes of the film, although maybe that's a bit of my bias creeping in, as I'm a huge De Niro fan.

But let's talk about the main plague of the film--sprawl. This is maybe first evident in the flashbacks. As good as they are, they go on far too long, and happen far too frequently, to sustain the momentum of either the Michael story or the Vito-as-a-youngster story. It begins to feel like we're toggling back and forth between two films, which is the track that should have been taken. The prequel, at least, would have been a solid 10.

There's also a lot of sprawl in the Michael Corleone segments. Coppola appears to have been suffering from what I'd now call "J.K. Rowling Syndrome". That happens when an artist becomes successful enough that they can fire or ignore their editor(s). Instead of taking good advice about where to trim fat, the artist decides to just leave much of it in, and they now have the clout to override any dissenting and more sensible opinions. The Michael Corleone story has a lot of fat, including much of the Cuba material (for example, sitting around the table with the President, laboriously passing around a solid gold telephone), the Senate hearings (which go on far too long to make and provide the dramatic points), and so on.

The film begins to feel more like a couple seasons of a television show that Coppola tried to cram into a 3 and a half hour film, or worse, a collection of deleted scenes. The scenes, except for the fat that needed to be trimmed, are excellent in isolation. But by the time the climax rolls around, the whole has more of an arbitrary feeling--this is especially clear in the dénouement, which seems to just end.

I've barely left myself room to talk about the good points. The first one, which most people mention, is the acting. There isn't a bad performance in the film, but Pacino, De Niro, and some relatively minor characters, like those played by Diane Keaton, Talia Shire and John Cazale, really stand out.

The second outstanding point, similar to the first film, is the beautiful visuals. Although all of the cinematography and production design is great, what really impressed me were some of the darkly lit scenes. Characters and features of sets emerge from pitch-blackness, and everything is rich, deep shades of burgundy, brown, and orange. Amazingly, nothing gets lost in these scenes. It must be incredibly difficult to achieve without making the shots too dark, because I can't remember another film since that has been able to capture the same look. The flashback scenes are also in similar, but lighter, colors, creating an appropriate sepia-tone feel.

Although the broad perspective problems are unfortunate, a closer focus on most segments of the film provides exemplary artistry. Given that, and the film's importance culturally, The Godfather Part II is a must-see.


165 of 253 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 760 user reviews »

Contribute to This Page

IMDb Freedive: Watch Movies and TV Series for Free

Watch Hollywood hits and TV favorites for free with IMDb Freedive. Start streaming on IMDb and Fire TV devices today!

Start watching

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed