When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.Written by
Keith Loh <firstname.lastname@example.org>
Francis Ford Coppola re-wrote the entire script over a weekend because Al Pacino said he didn't like the original and would not do the film. Apparently, he later said to Coppola that he hadn't actually disliked the first script all that much, but knew it could be better. See more »
When Michael returns from Las Vegas after Christmas, he is carrying a briefcase in one hand, and nothing in the other hand. As he walks into the house, he's holding the briefcase in one hand and a lit cigarette in the other. See more »
The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
[subtitled from Italian]
They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
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This is the only Godfather film not to feature a standalone title screen against a black background. Instead, the title appears over Michael Corleone's chair after he gets up out of it. See more »
For The Godfather Saga, besides the added scenes and toning down the violence and language, other changes were made to the original version:
The close-up shots of Michael's face as Rocco kisses his hand are deleted.
The on-screen prologue is deleted.
The shot of little Vito being marked with an encircled X among the benches filled with immigrants is deleted.
The shot of little Vito singing by himself in Ellis Island is deleted.
The scene of Anthony receiving his communion is deleted.
Throughout the story of young Vito's rise, many of the lines originally spoken in Sicilian are dubbed in English.
An alternate take of Vito walking down the aisle in the theatre.
Scenes at the communion party are rearranged. The scene with Connie and Merle meeting with Michael appears earlier and the scenes with Senator Geary appear later.
The scene where Vito brings a pear home and the scene where he first encounters Clemenza are switched to appear in the order originally intended. This explains why he is in a bad mood at dinner.
An alternate take of Vito refusing the box of food from Signor Abbandando.
A shot of Clemenza nodding to a customer in the café is deleted.
The shot of Clemenza cutting the rug and playing with baby Sonny is deleted.
Michael's reply of "New York City" at the Senate hearing is deleted.
Francis Coppola and Mario Puzo continue their epic saga into the lives of the infamous Corleone family, which is headed by Michael Corleone (Al Pacino). It is a film which does better than its predessor, "The Godfather". The film flip-flops graciously and beautifully between Michael's struggle over the family business and the life of young Vito Corleone (Robert De Niro, in a brilliant, Oscar-winning performance) in his rise to power as well. Robert Duvall, Diane Keaton, Lee Strassberg, and John Cazale give excellent supporting performances. Carmine Coppola's and Nino Rota's score is a masterpiece of music. The movie is expertly filmed and the cinematography is superb.
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