In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. Written by
Keith Loh <email@example.com>
Originally, the actors in the flashback scenes wore pants with zippers. One of the musicians pointed out that the zipper had not been invented at that time, so some scenes had to be re-shot with button-fly trousers. See more »
During the shooting into the Corleones' bedroom, the mirror on the dresser shows Kay sliding off her side of the bed as soon as the gunshots pierce the window and at this point her pillow is vertical. But as Michael crawls to Kay's side of the bed, she's back on top, waiting for him to pull her down, and her pillow is now laying flat. See more »
The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
[subtitled from Italian]
They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
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As with the first film no opening credits are shown. Although it is now commonplace for films not to have opening credits, it was considered innovative in 1974. See more »
Francis Coppola and Mario Puzo continue their epic saga into the lives of the infamous Corleone family, which is headed by Michael Corleone (Al Pacino). It is a film which does better than its predessor, "The Godfather". The film flip-flops graciously and beautifully between Michael's struggle over the family business and the life of young Vito Corleone (Robert De Niro, in a brilliant, Oscar-winning performance) in his rise to power as well. Robert Duvall, Diane Keaton, Lee Strassberg, and John Cazale give excellent supporting performances. Carmine Coppola's and Nino Rota's score is a masterpiece of music. The movie is expertly filmed and the cinematography is superb.
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