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51 user 41 critic

The Front Page (1974)

As a tabloid newspaper editor tries to prevent his top reporter from retiring, an escaped death row convict shows up at the office trying to convey his innocence.

Director:

Billy Wilder

Writers:

Ben Hecht (play), Charles MacArthur (play) | 2 more credits »
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Nominated for 3 Golden Globes. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jack Lemmon ... Hildy Johnson
Walter Matthau ... Walter Burns
Susan Sarandon ... Peggy Grant
Vincent Gardenia ... Sheriff
David Wayne ... Bensinger
Allen Garfield ... Kruger
Austin Pendleton ... Earl Williams
Charles Durning ... Murphy
Herb Edelman ... Schwartz (as Herbert Edelman)
Martin Gabel ... Dr. Eggelhofer
Harold Gould ... The Mayor
Cliff Osmond ... Jacobi
Dick O'Neill ... McHugh
Jon Korkes ... Rudy Keppler
Lou Frizzell Lou Frizzell ... Endicott
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Storyline

When Hildy Johnson, the top reporter of a Chicago newspaper announces that he is quitting to get married, his editor, Walter Burns desperately tries to change his mind. When denial, cursing, and luring don't work, Walter resorts to tricks. It's the day before a supposed communist is to be hanged, and all Chicago waits with baited breath. Meanwhile, each of the papers has a man on the story trying to get a scoop or angle for themselves. With a train to catch at midnight to join his fiancé, Hildy is at first not interested, but events and his own habits work against him as the day unfolds, and he can't help but get roped in, especially when the man to be executed escapes and then almost literally falls into his lap. Written by RCBP_Collection

Plot Summary | Plot Synopsis

Taglines:

It's the hottest story since the Chicago Fire... And they're sitting on it. See more »

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

18 December 1974 (USA) See more »

Also Known As:

Extrablatt See more »

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Box Office

Budget:

$4,000,000 (estimated)

Gross USA:

$17,300,000, 15 December 2015
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

According to a title card shown before the closing credits, Peggy Grant named one of her daughters Hildy. This is a sly reference to His Girl Friday (1940), in which Hildy Johnson was a woman. See more »

Goofs

Before Walter first meets Peggy at the movie theater, he tears a star off an old movie poster for "All Quiet On the Western Front" (1930), though this movie is set in 1929. See more »

Quotes

Dr. Max J. Eggelhofer: [after being wounded by Earl Williams] Fruitcake, Fruitcake!
See more »

Connections

References Inherit the Wind (1960) See more »

Soundtracks

Button Up Your Overcoat
By Buddy G. DeSylva (as B.G. DeSylva), Lew Brown, and Ray Henderson
© 1928 by B.G. DeSylva, Brown & Henderson Inc.
© Renewed Assigned to Chappel & Co., Inc.
Published in U.S.A. by Chappel & Co., Inc. and Anne-Rachel Music Corp.
Performed by Susan Sarandon
See more »

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User Reviews

 
Lemmon and Matthau deliver
18 November 2012 | by itamarscomixSee all my reviews

Billy Wilder's work didn't exactly decline in quality during the 70's; rather, he seems to have been making less of an effort to break new ground and reinvent genres, instead leaning back on genres he new well and making perfectly solid films that were fun to make and fun to watch. The Front Page is no exception; on the surface it's easy to blame Wilder of lacking originality, in adapting a play that had been put to film twice before. However, the 1931 version really isn't good enough to pay attention to, and the 1940 version (His Girl Friday) changed things around quite a bit, making Wilder's version the definitive version of the play. Wilder reverted the lead role from a woman back to a man, retaining the relationship between the two leads to the 'male life partners' version that the original play had, which I found more interesting than the romantic relationship in 'His Girl Friday'.

And the best thing is that the chemistry between Jack Lemmon and Walter Matthau is so good, that they make this relationship really work. They worked twice before, in 'The Odd Couple' and 'The Fortune Cookie', and once again prove how good they are together; a testament to that is that the first half of 'The Front Page', in which Lemmon interacts with actors like Susan Sarandon and Austin Pendleton, moves along with a lazy pace, usually witty but never grabs the viewers completely; but the second half, which is mostly around Lemmon and Matthau, sparks all over the place and is an absolute joy to watch, right up to the ending - and nobody could direct an ending scene like Wilder. It's Wilder's knack for pacing that makes the film work, and Lemmon and Matthau have amazing timing that compliments it perfectly. The film may not be groundbreaking but it's a nearly perfectly made comedy, with some vicious observations about the nature of media and politics.


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