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The Front Page (1974)

As a tabloid newspaper editor tries to prevent his top reporter from retiring, an escaped death row convict shows up at the office trying to convey his innocence.

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(play), (play) | 2 more credits »
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Nominated for 3 Golden Globes. Another 2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
... Hildy Johnson
... Walter Burns
... Peggy Grant
... Sheriff
... Bensinger
... Kruger
... Earl Williams
... Murphy
... Schwartz (as Herbert Edelman)
... Dr. Eggelhofer
... The Mayor
... Jacobi
... McHugh
... Rudy Keppler
Lou Frizzell ... Endicott
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Storyline

When Hildy Johnson, the top reporter of a Chicago newspaper announces that he is quitting to get married, his editor, Walter Burns desperately tries to change his mind. When denial, cursing, and luring don't work, Walter resorts to tricks. It's the day before a supposed communist is to be hanged, and all Chicago waits with baited breath. Meanwhile, each of the papers has a man on the story trying to get a scoop or angle for themselves. With a train to catch at midnight to join his fiancé, Hildy is at first not interested, but events and his own habits work against him as the day unfolds, and he can't help but get roped in, especially when the man to be executed escapes and then almost literally falls into his lap. Written by RCBP_Collection

Plot Summary | Plot Synopsis

Taglines:

It's the hottest story since the Chicago Fire... And they're sitting on it. See more »

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 December 1974 (USA)  »

Also Known As:

Extrablatt  »

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Box Office

Budget:

$4,000,000 (estimated)

Gross USA:

$17,300,000, 15 December 2015
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to a title card shown before the closing credits, Peggy Grant named one of her daughters Hildy. This is a sly reference to His Girl Friday (1940), in which Hildy Johnson was a woman. See more »

Goofs

When Hildy enters the press room to say goodbye to his fellow reporters, he greets them with a Edward G. Robinson imitation, saying "This is a raid, see." Edward G. Robinson would not become a famous enough to imitate as a "gangster" until Little Caesar came out two years later. See more »

Quotes

Mollie Malloy: I never said that I loved Earl Williams and was willing to marry him on the gallows. You made that up!
Murphy: Oh, come on. You've been sucking around that cuckoo ever since he's been in the death house.
McHugh: Everybody knows you're his soul-mate.
Mollie Malloy: That's a lot of bunk! Like all that other stuff you been writing. Calling me an Angel of the Pavement and the Midnight Madonna. Who ya kiddin'? I'm a two-dollar whore from Division Street and you know it!
See more »

Connections

Version of Switching Channels (1988) See more »

Soundtracks

Swing Low Sweet Chariot
(uncredited)
Written by Wallis Willis
Sung by unknown performer in gaol cell
See more »

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User Reviews

 
"Well, if it's in the papers, it must be true. They wouldn't print a lie."
25 December 2007 | by See all my reviews

When Howard Hawks released his classic screwball comedy, 'His Girl Friday,' in 1940, it was a pretty safe bet that the film would forever remain the definitive cinematic version of Ben Hecht and Charles MacArthur's hit Broadway comedy of 1928. It takes a truly talented director to successfully remake a classic, and, indeed, talent is a quality that Billy Wilder has in great abundance, as he proved time and time again throughout a prolific career. Jack Lemmon stars as Hildebrand "Hildy" Johnson, an ace reporter with the Chicago Examiner newspaper in 1929, who decides to resign and get married on the eve of a major execution. Walter Matthau also stars as Walter Burns, the cunning, scheming newspaper boss who cannot afford to allow Hildy to quit the business at any cost. The two actors make an absolute dream partnership, and, as always, work incredibly well together {they had previously shared the screen in 'The Fortune Cookie (1966)' and 'The Odd Couple (1968),' and would do so on many more subsequent occasions}.

In the crowded press room of a Chicago jail, a cluster of rival newspaper reporters clamour about for the perfect exclusive story, centred around the execution of a convicted cop-killer, Earl Williams (Austin Pendleton). In their desperate bid to write a great article, these inherently dishonest journalists will even occasionally fabricate their own news stories, but this strategy turns out to be rather unnecessary on this night. As Hildy arrives at the jail to farewell his comrades, determined to ignore the shrewd obstacles of his ex-employer, the story of a lifetime falls directly into his lap, and now it will take ever ounce of his willpower to resist the urge to report and to start a new life in advertising. While the two leads are, of course, terrific, enjoyable supporting performances are given by Pendleton as the prisoner awaiting execution, Vincent Gardenia as the bumbling sheriff and Susan Sarandon as Hildy's would-be future wife.

Though 'The Front Page (1974)' {the third adaptation of the play} doesn't cover any different ground than 'His Girl Friday' did {with the exception of reverting Hildy back to a male character}, it is the quality of the script, the chemistry between the leads and the selection of quirky supporting characters that make this an essential complementary viewing experience for fans of Hawks' film. Watching this one made me remember just how much I had enjoyed 'His Girl Friday;' the story is a classic write-up of eccentric situations and quick-fire verbal clashes, and both movies exploit this to its full potential. I wouldn't go as far as saying that 'The Front Page' is a superior comedy, but it is a worthy effort, and Wilder fans could not possibly be disappointed. The screenplay was penned by Wilder and regular co-contributer I.A.L. Diamond, and is packed with an excellent selection of quotable one-liner insults. I also loved the sly reference to the Saint Valentine's Day Massacre, at which, of course, Jack Lemmon was present in 'Some Like it Hot (1959).'


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