Flavia, the Heretic (1974)

After a cult besieges her convent, a young nun goes with an army of Muslims to destroy the convent and kill who wronged her.

Director:

Gianfranco Mingozzi

Writers:

Bruno Di Geronimo (screenplay), Gianfranco Mingozzi (screenplay)

Stars:

Florinda Bolkan, María Casares, Claudio Cassinelli

Cast

Cast overview, first billed only:
Florinda Bolkan	...	Flavia Gaetani
María Casares	...	Sister Agatha
Claudio Cassinelli	...	Abraham
Anthony Higgins	...	Ahmed (as Anthony Corlan)
Spyros Fokas	...	the French Duke (as Spiros Focás)
Diego Michelotti	...	Flavia's Father
Raika Juri	...	Sister Livia
Jill Pratt	...	Mother Superior
Franca Grey	...	Village Girl
Laura De Marchi	...	Tarantula Cult Woman
Eduardo Filipone
Ciro Ippolito
Carla Mancini
Luigi Antonio Guerra
Giuseppe Pertile	...	Bishop

Storyline

Italy 1600: A convent of nuns are invaded by the Tarantula Sect on their annual pilgrimage. The cultists defile the place of worship, orgying in the chapel and desecrating the altar. One nun decides she can't take the religious oppression any longer and flees the convent upset that all the leaders are male.

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Plot Keywords:

female empowerment | sexploitation | convent | nun | tarantula | 

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Taglines:

She Launched A River of BLOOD

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Genres:

Drama | Horror

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Certificate:

R

Details

Country:

Italy France

Language:

Italian

Release Date:

January 1977 (USA)

Also Known As:

Flavia: Heretic Priestess

Filming Locations:

Santa Maria di Colonna, Trani, Bari, Apulia, Italy

Company Credits

Production Co:

Cinéphonic, Produzioni Atlas Consorziate (P.A.C.), R.O.C.

Technical Specs

Runtime:

96 min 101 min (uncut)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Goofs

The movie takes place in Italy circa 1400. At one moment Flavia and Abraham are on the beach eating roasted ears of corn.

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Quotes

Flavia Gaetani: [addressing Christ on the cross] Why... why? Why is God male? The Father the Son and the Holy Ghost - all male. Even the twelve apostles. All twelve of them - males.

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Alternate Versions

The 1994 UK Redemption video was cut by 1 min 24 secs by the BBFC with edits to topless nudity, the rape of the swine-herder's daughter, a nun's breast being burnt and her nipple cut off and shots of Flavia peeling skin from an ankle wound during the flaying scene, as well as heavy edits to a horse being castrated. The 2008 Shameless DVD was fully uncut.

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Connections

Featured in The Real Blue Nuns (2006)

User Reviews

Sisters Without Mercy

Too many sources routinely lump this thought-provoking period drama in part based on historical fact together with the superficially similar "nunsploitation" which was a mainstay in '70s Euro trash cinema, overlooking the righteous anger that drives the whole endeavor. Perhaps coincidentally it was also director Gianfranco Mingozzi's singular attempt at narrative film-making outside of many well-received documentaries.

Safely set within a historical context, FLAVIA charts the growing rebellion of an early 15th century Italian nun (Florinda Bolkan's career performance, even surpassing her sterling work in Lucio Fulci's devastating DON'T TORTURE A DUCKLING), locked away in convent by her not so nobleman father in a desperate attempt to curb the girl's budding sensuous nature. Wondering why women are relegated to secondary roles at best in life as in holy scripture, she is confronted by ways in which male domination can rupture female lives, inspiring revolt fueled by the ranting of semi-crazed older Sister Agatha (indelibly portrayed by veteran actress Maria Casarès from Marcel Carné's LES ENFANTS DU PARADIS) and - more constructively - by a Muslim invasion. Joining the oppressors and perhaps unwittingly manipulating them to do her bidding, Flavia truly becomes the outcast she already felt herself to be, with expected tragic results.

With its breathtaking widescreen compositions by Alfio Contini, who shot Michelangelo Antonioni's ZABRISKIE POINT, this is an uncompromising and austere account of one woman's fierce yet ultimately futile fight against patriarchal society which allotted her no rights beyond childbearing or whoring as Sister Agatha wryly remarks. A lengthy drug-induced fantasy sequence clearly modeled on Ken Russell's otherwise far more flamboyant DEVILS notwithstanding, the movie turns out relatively stingy in the skin department, making something of a mockery out of its semi-porn reputation. This is a serious work deserving rediscovery and restoration of its unjustly tarnished reputation.