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Femmes femmes (1974)

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult ... See full summary »

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(screenplay) (as Noel Simsolo), (screenplay)
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Cast

Cast overview, first billed only:
... Hélène
... Sonia
Huguette Forge ... Cliente
Michel Delahaye ... Docteur
Noël Simsolo ... Ferdinand
Charles Level ... Livreur
Jean-Claude Guiguet ... Courtier
Jean Pommier ... Julien
Marcel Gassouk ... Victor
Dominique Erlanger ... Cliente bistrot
... Lucien
Claudine Daubisy ... Prostituée
Pierre Lose ... Flic
Séverine Vincent ... Enfant
Henry Courseaux ... Antonin Barbié
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Storyline

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris. In the end, their struggles are eased when the widow of a man they had both been married to gives them a small legacy. Written by pauluka-52694

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Genres:

Comedy | Drama

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Release Date:

27 November 1974 (France)  »

Also Known As:

Women Women  »

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1.33 : 1
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Connections

Referenced in Salò, or the 120 Days of Sodom (1975) See more »

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User Reviews

 
Céline et Julie, and Hélène et Sonia too...

A curiosity shot in 16mm, with the personnel working for free and using Brechtian acting techniques, the same year that Jacques Rivette released his fascinating story about other two femmes: "Céline et Julie vont en bateau". Paul Vecchiali though is a French director seldom mentioned in the circles of film buffs, but his name should be added to their ruminations, at least for this title, which relies upon the leading actresses' improvisations of dialogue and situations. Hélène Surgère and Sonia Saviange play two mature actresses living in a Parisian flat. While one still tries to work on the stage and in television, the other stays at home sewing dresses for a client or two: both Hélène and Sonia are alcoholics and little by little they are detaching from reality. Characters appear and disappear only to reinforce their isolation, while the story-telling recourse of change of fortune is mainly used as a joke. An experimental work that deserves more prominence, with outstanding work from Surgère and Saviange, who impressed Pier Paolo Pasolini so much during 1974 Venice film festival, that he cast both in his last film, "Salò or The 120 Days of Sodom", as one of the story-tellers and as the pianist, respectively, in which they pay a small hommage to Vecchiali's movie.


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