Emmanuelle is a beautiful young model and lives in Bangkok together with her husband Jean, who's several years older. She likes him because he's taught her much, and he likes her because she's learning so well - and wants to often. Both are very tolerant in matters of extramarital affairs, so he doesn't mind the young Marie-Ange coming over every so often, although she obviously wants more than talk from his wife. But Emmanuelle is more fascinated by the older Bee, and joins her on a trip into the jungle.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Emmanuelle ran for 13 years in one cinema on the Champs-Elysees, Paris, with posters of the beautiful star, Sylvia Kristel, who was not French as most people thought but in fact Dutch, sitting topless in a wicker chair, fingering a string of pearls. See more »
(at around 1 min) When Emmanuelle is on the plane, she closes the blind fully and curls up. A fellow passenger sits down and embraces her. In addition to the high spotlight on her cleavage, there's a bright light coming from the direction of said covered window. See more »
I wonder if I've been dreaming for quite some now.
It's because we're abroad. As exiles, we're reduced to futile pastimes. Napoleon passed the time on St Helena counting his spoons. One mustn't become resigned at any price. Here in Bangkok if you say that, everyone will agree. But if you talk of sex, then you will have sinned against our ancestral taboos. l'm a collector. It's a very respected occupation, collecting. I collect situations.
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The only "altering" of the sex scenes is the consequence of the fact that the framings, even in the letterboxed versions, do not match that of the original theatrical presentation. Version 2 disappeared quite quickly (other than copies remaining on the shelves of rental outlets), with the film's audience apparently assuming that the "R" rating meant that "the best parts" had been cut out. Actually, the dropping of the subtitles and the addition of the new dialogue track meant that it was a "different" movie and could be resubmitted to the MPAA for rating. Standards had changed in the more than fifteen years that had passed since the film had originally been given the "X", resulting in the "R." The "unrated" follow-up, hurried into release, faded away by the mid-90s, and versions 4 and 5 are the only ones currently in print. See more »
Whether you like it or not this is a milestone in the history of cinema. Like the James Bond movie Thunderball set new standards for violence in mainstream cinema, Emmanuel set new standards for sexual content.
Certainly the film was an amazing hit and box office records quickly tumbled. It is the most seen French film of all time and holds the record for the longest run at a single non-multiplex cinema (18 months in Paris, France). After this film sex on film was a completely different beast and many directors (new and old) used part of the template.
Anyone one wanting a dirty movie will be sadly disappointed. Here sex is treated as natural, rarely earth shattering and almost matter-of-fact. The bedroom is only one of the locations where the act takes place - in fact I am surprised the participants weren't arrested!
Sylvia Kristel plays a newly married wife of 22 (19 in reality) with no previous film experience (this is no accident). Previously she had only appeared in commercials. She is the innocent who becomes corrupted, but it is a journey of corruption she is happy to take. Her nice-but-cold older husband is also all for it. The circumstances behind their marriage are not even touched upon - but maybe it was a marriage of convenience as he is a world travelling diplomat?
For a film aimed at men, men are rarely shown in a great light. Emmanuel finds she is bisexual and looks happier with women than with men - who commonly treat her as a sex object. If she appeared brighter she could even be viewed as a feminist icon, but even the high queen of feminism Germaine Greer says she is a "bimbo."
Lot of things are dated in this movie. The view of casual unprotected sex certainly. There is even a casual rape. But its use of third-world locations is a treat on the eye (on the big screen especially) and there is nothing substandard about the production. Even the music is first class and still does the rounds on its own.
The photography is as good as you would see in a big budget epic. The film moves along at a slow but steady pace and you do look forward to finding out what happens next or how a situation is resolved.
The film is nothing but a study of an open marriage from the female perspective. The fact that she yields to the experiences and becomes more sexual bold is clearly pleasing to the male viewer. No doubt this was a date movie for males those that wanted their partners to follow her lead.
This is a clever erotic movie. It stays in the mind long after seeing it and Kristel looks comfortable with or without her clothes. She is far from a great actress, but she does have poise and dignity. The sequels that followed are nothing more than attempts to extract more money from a franchise and are merely routine entertainment.
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