The Conversation (1974)

A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that a couple, on whom he is spying, will be murdered.

Director:

Francis Ford Coppola

Writer:

Francis Ford Coppola

Stars:

Gene Hackman, John Cazale, Allen Garfield

Nominated for 3 Oscars. Another 14 wins & 13 nominations.

Cast

Complete credited cast:
Gene Hackman	...	Harry Caul
John Cazale	...	Stan
Allen Garfield	...	Bernie Moran
Frederic Forrest	...	Mark
Cindy Williams	...	Ann
Michael Higgins	...	Paul
Elizabeth MacRae	...	Meredith (as Elizabeth Mac Rae)
Teri Garr	...	Amy
Harrison Ford	...	Martin Stett
Mark Wheeler	...	Receptionist
Robert Shields	...	The Mime
Phoebe Alexander	...	Lurleen

Storyline

Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones is, in part, intended to control what happens around him. His and Stan's latest job (a difficult one) is to record the private discussion of a young couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the discussion ...

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Plot Keywords:

surveillance | recording | saxophone | murder plot | investigation | 

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Taglines:

Harry Caul is an invader of privacy. The best in the business. He can record any conversation between two people anywhere. So far, three people are dead because of him.

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Genres:

Drama | Mystery | Thriller

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

June 1974 (France)

Also Known As:

La conversación

Filming Locations:

California, USA

Box Office

Budget:

$1,600,000 (estimated)

Gross USA:

$4,420,000

Company Credits

Production Co:

Directors Company, The, The Coppola Company, American Zoetrope

Technical Specs

Runtime:

113 min

Sound Mix:

Mono Dolby Digital (restored version)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The character of Harry Caul was inspired by surveillance technology expert Martin Kaiser, who also served as a Technical Consultant on the film.

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Goofs

When Harry Caul is in the elevator, you see the woman come in and three buttons are pushed. After stopping on a floor, a cut back to the shot of the woman and only one button remains lit whereas two should still be lit.

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Quotes

[first lines]
Passerby: Well, I want to go over to my place and start, you know, getting it on...
Ann: Oh, that's terrible.
Mark: Yeah. Do you ever, uh... ballet?
Ann: Be thankful. Do you have a quarter for them?
Mark: Yes, I do.
Ann: [gives it to street band]
Ann: What about me?
Mark: You'll see.
Ann: A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.

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Connections

Referenced in Sneak Previews: The Best Films of the '70s (1979)

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Soundtracks

Out of Nowhere
(1931)
Music by Johnny Green (as John W. Green)
Lyrics by Edward Heyman

User Reviews

Ingenious and frightening!

"The Conversation" is a really great movie. I was quite surprised when I saw it. Not at how good it was, but how few people have seen it or heard of it. This is a classic suspense thriller, and a terrifying psychological horror film! From the opening credits, I, like the characters, was unsure of where I was going, or what the opening conversation (which is what the entire film is built around) might lead to. It seemed so unusually powerful, despite its masterfully simplistic execution. There is no overkill or excess in this film, nor is it under written or underplayed. It's just perfect! And I was even more surprised at how little was shown, and how much it could engross or frighten the hell out of me! My heart was racing, even though there was little action! This is the kind of film Alfred Hitchcock would have been proud to direct. The direction went to another master instead, Francis Ford Coppola. I felt ahead of the movie at its opening credits. But then, it blasted me and got miles ahead of me. It is an attack on our psyche and our fear, and it's amazing how, like the film itself, the conversation in the film that seemed so small and irrational could lead to something as big as it did!