Faded movie actress Nora Chandler is being blackmailed by a gossip columnist, Jerry Parks. Parks is also romancing Chandler's secretary, who knows all the great star's secrets. Chandler in desperation blows up the columnist's car - but it turns out her secretary was the one driving. Lt. Columbo, one of Nora's biggest fans, is on the case.Written by
This was the only Columbo (1971) music score not credited to any composer in the credit titles. The music was tracked from previous Columbo scores composed by Dick DeBenedictis and Oliver Nelson. However, both composers registered their "Requiem for a Falling Star" cues with their respective performing right societies: DeBenedictis with ASCAP and Nelson with BMI. See more »
After Jean Davis parks at The Seekers book shop, she goes inside to meet Jerry Parks. Nora then gets out of a green Malibu and runs up to the store to see Jean and Jerry embrace inside. The large window she looks into has white wooden framing with a hedge underneath the sill. However, the previous and subsequent long shots of the façade show no white window and no hedge. See more »
Actors, Lieutenant. Take my advice - avoid actors. They'll kill ya.
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One of the few Columbo stories to successfully incorporate deviations to the usual formula
A Season 2 Columbo story that is primarily notable for it's success in straying slightly from the hitherto successful Columbo formula by installing a plot with twists relating to both motive and murder victim.
Anne Baxter gives a captivating, well-judged performance as a movie star in decline who realises that the blossoming relationship of her secretary and a persistent journalist could uncover her darkest secrets. Her deep-rooted desperation and selfish protectiveness are intriguingly conveyed in a story that is never quite what it seems: the viewer is not armed with all of the incriminating facts from the outset, so although it is not a who-dunnit, it is successfully sustained as a why-did-she-do-it.
Mel Ferrer also gives a decent performance as the journalist and his scenes with Baxter are consistently powerfully staged and purposefully developed.
There is a priceless scene too involving a cameo from real-life costume designer Edith Head, who gives Columbo a lavish tie from her rather vast wardrobe.
One other noteworthy and enjoyable sequence is when Columbo confronts the murderess near the end with the things that bothered him...
The script-writer Jackson Gillis expertly keeps things going at a startlingly frantic pace, and although the coincidence which helps Columbo solve the case is too coincidental, the strength in the plot, script and performances are too be admired, making this a little gem for the Columbo archives.
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