The Cars That Ate Paris (1974)

The small town of Paris, Australia deliberately causes car accidents, then sells/salvages all valuables from the wrecks as a means of economy.

Director:

Peter Weir

Writers:

Peter Weir (screenplay), Peter Weir (story)

Stars:

Terry Camilleri, John Meillon, Kevin Miles

1 win & 1 nomination.

Cast

Cast overview, first billed only:
John Meillon	...	The Mayor
Terry Camilleri	...	Arthur Waldo
Kevin Miles	...	Dr. Midland
Rick Scully	...	George Waldo
Max Gillies	...	Metcalfe
Danny Adcock	...	Policeman
Bruce Spence	...	Charlie
Kevin Golsby	...	Insurance man
Chris Haywood	...	Darryl
Peter Armstrong	...	Gorman
Joe Burrow	...	Ganger
Deryck Barnes	...	Al Smedley
Edward Howell	...	Tringham
Max Phipps	...	Mulray
Melissa Jaffer	...	Beth

Storyline

A small town in rural Australia (Paris) makes its living by causing car accidents and salvaging any valuables from the wrecks. Into this town come brothers Arthur and George. George is killed when the Parisians cause their car to crash, but Arthur survives and is brought into the community as an orderly at the hospital. But Paris is not problem free. Not only do the Parisians have to be careful of outsiders (such as insurance investigators), but they also have to cope with the young people of the town who are dissatisfied with the status quo.

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Plot Keywords:

crash | driving | night driving | human experimentation | lying on a bed | 

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Taglines:

They run on blood.

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Genres:

Comedy | Horror | Sci-Fi

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Certificate:

PG

Details

Country:

Australia

Language:

English

Release Date:

11 June 1976 (USA)

Also Known As:

The Cars That Eat People

Filming Locations:

Sofala, New South Wales, Australia

Company Credits

Production Co:

Royce Smeal Film Productions, Salt-Pan, The Australian Film Development Corporation

Technical Specs

Runtime:

91 min 74 min (cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

This Australian film was retitled 'The Cars That Eat People' for theatrical release in the USA.

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Goofs

At the end of the movie (when the people leave the village) you can see a green Austin A30 Van. The same car is crashed earlier by a car trying to jump over the Austin using a ramp. The whole front is crushed so there is no way it can be repaired.

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Quotes

Arthur Waldo: I can drive!

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Alternate Versions

US version, titled _The Cars that Ate People (1974)_ was shortened to 74 minutes by the distributor; in this version star Terry Camilleri's voice is dubbed. The film was finally reissued in the USA at complete length in 1984.

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Connections

Featured in True Love and Chaos (1997)

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Soundtracks

Little Brown Jug
(uncredited)
Written by Joseph Winner
Played at the ball

User Reviews

Style over substance - but the style is good!

Before Peter Weir went on to make 'A' class films such as The Dead Poets Society and Witness, he had a rather unsuccessful stint as a B-movie cult flick director. Despite the fact that he's become better known for his critically acclaimed films, his lesser cult films show much more imagination and are far more fun to watch. The Cars That Ate Paris works from a delicious premise. A small township in Australia named 'Paris' causes car accidents and salvages valuables from the wreckages. The town's currency is radios, clothes etc and this lucrative business is doing well for the town. When someone survives a crash, they usually end up mentally disabled, which is good for the town as it stops them from being caught by the pesky insurance investigator. This is all well and good until George and brother Arthur drive into town. George is killed in the crash, but Arthur survives it; pretty much unharmed. Nobody has ever left Paris before, which prompts the Mayor to take the young man into his family home. This is something that will go on to have massive repercussions on the township of Paris...

Peter Weir deliciously blends several elements into the plot line. On one hand, we have the incredibly surreal idea of a whole town killing people for their valuables. This blends with the whole crazy cult idea, and this in turn mixes with the idea of the things that people will do to survive. Weir has speckled the movie with loads of great imagery, such as the old women who's job it is to take the valuables from the cars stuffing clothes down their top, and the devilish cornerstone of society, the Mayor, overseeing all the horror. Despite all the film's good elements, however, Weir has failed to make the film a complete whole. It may be down to inexperience, but while he's busy creating his atmosphere; the characters have been forgotten about, and this makes it difficult to care for them, and the story beyond an aesthetic level. There is much to like about this movie, and it's definitely worth seeing for the imagery alone; but it's hard to really love it, and that stops me from giving the film a high rating. I still recommend the movie, however, as it's well worth seeing.