An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (Harvey Korman), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.Written by
John Vogel <email@example.com>
When auditioning for the role of Lili, Madeline Kahn was asked by Mel Brooks to pull up her skirt so he could see her legs. She was quite hesitant, being unclear of Brooks' intentions. Brooks actually just wanted to see if she had legs good enough to approximate Marlene Dietrich's famous "gams". So she lifted her skirt and said, '"No touching". The Lili Von Shtupp character was a parody of Marlene Dietrich. See more »
(at around 22 mins) When Hedley Lamarr takes a piece of candy out of the jar on his desk, it is white with several thin red stripes. After he goes to the window and almost chokes on the candy, he spits out a piece that is white with a single thick red stripe. See more »
Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
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Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »
Gov. Le Petomane also, in some televised versions, shakes hands with the cardboard townspeople in fake Rock Ridge. See more »
One of the funniest movies of all time. Corny by today's standards but icon shattering in it's day. A stroke of two geniuses, Brooks and Pryor.
I can only imagine the laughter in the room when Brooks and Pryor combined their heads to create this one. A Jew making fun of Jews, a Black making fun of Blacks, two Western Americans making fun of the West, movie makers making fun of the movies. The childish fart-level humor and utter cornball gags keep you rolling of the floor unable to breathe. This movie doesn't pretend to be anything more than cornball humor, but it's the all-time best at that. Let's not pretend to be intelligent adults, let's just watch this gem and laugh our heads off like the kids we are inside. Downsides are the overuse of swear words, which were funny in the early 70's because of their shock value during those censored times, but today are just annoying and unnecessary. Another annoying scene is the sexual perversion when Hedley makes love to the statue, though it's funny that the creep gets horny over the thought of money, it creeps me out. But the strength of the movie is its originality for its day, long before the Zuckors. The jokes come so fast and so unexpectedly that you can watch this movie many times before you catch them all.
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