An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (Harvey Korman), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.Written by
John Vogel <email@example.com>
Mel Brooks: [producers] (at around 1h 22 mins) The music played when Lily Von Schtupp's (Madeline Kahn) poster comes on, is the first four measures of "Springtime For Hitler" from Brooks' previous movie The Producers (1967), played on an old-time saloon piano. See more »
(at around 56 mins) During Lili Von Shtupp's musical performance, the soldier that provides a chair for her to rest in, throws his rifle down on the ground when explaining how "tired" she is. The rifle hits the stage floor and slides, bursting the stage light in front of him. The sound of the light exploding can be heard through the singing and music. See more »
Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
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Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »
When aired on Fox Family, the part Hedley Lamaar is looking through a law book for 'Land Snatch' was altered: when Hedley get's to the part of the book that says 'See Snatch' is changed to 'See Property'. See more »
One of the funniest movies of all time. Corny by today's standards but icon shattering in it's day. A stroke of two geniuses, Brooks and Pryor.
I can only imagine the laughter in the room when Brooks and Pryor combined their heads to create this one. A Jew making fun of Jews, a Black making fun of Blacks, two Western Americans making fun of the West, movie makers making fun of the movies. The childish fart-level humor and utter cornball gags keep you rolling of the floor unable to breathe. This movie doesn't pretend to be anything more than cornball humor, but it's the all-time best at that. Let's not pretend to be intelligent adults, let's just watch this gem and laugh our heads off like the kids we are inside. Downsides are the overuse of swear words, which were funny in the early 70's because of their shock value during those censored times, but today are just annoying and unnecessary. Another annoying scene is the sexual perversion when Hedley makes love to the statue, though it's funny that the creep gets horny over the thought of money, it creeps me out. But the strength of the movie is its originality for its day, long before the Zuckors. The jokes come so fast and so unexpectedly that you can watch this movie many times before you catch them all.
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