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Blazing Saddles (1974)

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In order to ruin a western town, a corrupt politician appoints a black Sheriff, who promptly becomes his most formidable adversary.

Director:

Mel Brooks

Writers:

Mel Brooks (screenplay), Norman Steinberg (screenplay) | 4 more credits »
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Popularity
702 ( 141)
Nominated for 3 Oscars. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cleavon Little ... Bart
Gene Wilder ... Jim
Slim Pickens ... Taggart
Harvey Korman ... Hedley Lamarr
Madeline Kahn ... Lili Von Shtupp
Mel Brooks ... Governor Lepetomane / Indian Chief
Burton Gilliam ... Lyle
Alex Karras ... Mongo
David Huddleston ... Olson Johnson
Liam Dunn ... Rev. Johnson
John Hillerman ... Howard Johnson
George Furth ... Van Johnson
Jack Starrett ... Gabby Johnson (as Claude Ennis Starrett Jr.)
Carol Arthur ... Harriett Johnson
Richard Collier Richard Collier ... Dr. Sam Johnson
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Storyline

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (Harvey Korman), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

From the people who gave you "The Jazz Singer" See more »

Genres:

Comedy | Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Yiddish | German

Release Date:

7 February 1974 (USA) See more »

Also Known As:

Black Bart See more »

Filming Locations:

Santa Clarita, California, USA See more »

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Box Office

Budget:

$2,600,000 (estimated)

Gross USA:

$119,500,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Mel Brooks: [producers] (at around 1h 22 mins) The music played when Lily Von Schtupp's (Madeline Kahn) poster comes on, is the first four measures of "Springtime For Hitler" from Brooks' previous movie The Producers (1967), played on an old-time saloon piano. See more »

Goofs

(at around 56 mins) During Lili Von Shtupp's musical performance, the soldier that provides a chair for her to rest in, throws his rifle down on the ground when explaining how "tired" she is. The rifle hits the stage floor and slides, bursting the stage light in front of him. The sound of the light exploding can be heard through the singing and music. See more »

Quotes

[first lines]
Lyle: Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
See more »

Crazy Credits

Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »

Alternate Versions

When aired on Fox Family, the part Hedley Lamaar is looking through a law book for 'Land Snatch' was altered: when Hedley get's to the part of the book that says 'See Snatch' is changed to 'See Property'. See more »

Connections

Featured in Scope (2017) See more »

Soundtracks

April in Paris
(uncredited)
Music by Vernon Duke
Lyrics by E.Y. Harburg
Performed by Count Basie and His Orchestra
See more »

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User Reviews

 
One of the funniest movies of all time. Corny by today's standards but icon shattering in it's day. A stroke of two geniuses, Brooks and Pryor.
7 June 2005 | by mwright-13See all my reviews

I can only imagine the laughter in the room when Brooks and Pryor combined their heads to create this one. A Jew making fun of Jews, a Black making fun of Blacks, two Western Americans making fun of the West, movie makers making fun of the movies. The childish fart-level humor and utter cornball gags keep you rolling of the floor unable to breathe. This movie doesn't pretend to be anything more than cornball humor, but it's the all-time best at that. Let's not pretend to be intelligent adults, let's just watch this gem and laugh our heads off like the kids we are inside. Downsides are the overuse of swear words, which were funny in the early 70's because of their shock value during those censored times, but today are just annoying and unnecessary. Another annoying scene is the sexual perversion when Hedley makes love to the statue, though it's funny that the creep gets horny over the thought of money, it creeps me out. But the strength of the movie is its originality for its day, long before the Zuckors. The jokes come so fast and so unexpectedly that you can watch this movie many times before you catch them all.


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