In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other,...
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Ilsa is an evil Nazi warden at a death camp that conducts "medical experiments". Ilsa's goal is to prove that women can withstand more pain and suffering than men and therefore should be allowed to fight on the front lines.
In 1953, nestled deep in the unforgiving Siberian Tundra, the Stalinist Gulag 14 is a purgatory under the command of the brutally seductive tormentor, Ilsa. More than two decades later, the camp's sole survivor thirsts for retribution.
When her slimy boyfriend Danny (Peter Brown) uses his unsuspecting girlfriend Elizabeth (Tracy Bregman) to carry a stash of cocaine in her skis, she is nabbed by airport security. After a ... See full summary »
Jill St. John,
Tracey E. Bregman,
Top Nazi officials, intent on rooting out traitors and those in the military who may be plotting to overthrow Adolf Hitler, recruit and train a group of beautiful prostitutes whose mission ... See full summary »
Lea, a mature Neapolitan woman who runs a box office in the Lotto in a northern city, has had thirteen children, but all but one have died from abortion or after a few months of life. The ... See full summary »
Max von Sydow,
Ruth and Michel separate after Ruth finds another man, Paul. Ruth and Paul go to her sunny, idyllic beach side villa to spend summer. They are having a great time together, and then things ... See full summary »
In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other, things get complicated. Especially with the increasing danger from the revengeful Soviet army!Written by
In most ways this fits in with the Nazi-sexploiters made in Italy or by Eurocine, except in one: this was made for the German market and consequently we do not get all the usual stereotypes: (i) all Germans are Nazis, (ii) all Nazis are evil, (iii) all Nazis are sexual predators. We just get (ii) and (iii). The film is also less violent and downright nasty than its foreign genre rivals, partly to accommodate the German censors (who always shunned the connection sex/violence) and partly because their target audience would not have been expecting that - for the aforementioned reason.
The supposed identification figures of the film are Dr Kuhn and his daughters, who suffer from not playing Nazi-ball with the required conviction. I qualify this as "supposed", because this is no more than a McGuffin. After a while the film focusses on its real purpose: ogling at beautiful young women in the nude, with some added spice caused by the dangerous surroundings. If this were an accurate description of the going-ons at the Eastern front then the Wehrmacht should not have had much trouble getting volunteers.
Obviously, this isn't complying with historical accuracy, or political correctness. But then, neither are 'Salon Kitty', 'Love Camp 7', 'Train spécial pour SS', 'Ilsa, she-wolf of the SS', or any of the other films of this ilk. One should not expect more of these pictures than a 1970s version of a roughie.
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