Amarcord (1973)

A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Tonino Guerra (story)

Stars:

Magali Noël, Bruno Zanin, Pupella Maggio

Won 1 Oscar. Another 18 wins & 8 nominations.

Cast

Cast overview, first billed only:
Pupella Maggio	...	Miranda
Armando Brancia	...	Aurelio
Magali Noël	...	Gradisca (as Magali' Noel)
Ciccio Ingrassia	...	Teo
Nando Orfei	...	Patacca
Luigi Rossi	...	Lawyer
Bruno Zanin	...	Titta
Gianfilippo Carcano	...	Baravelli
Josiane Tanzilli	...	La Volpina
Maria Antonietta Beluzzi	...	Tobacconist
Giuseppe Ianigro	...	Grandpa
Ferruccio Brembilla	...	Fascist
Antonino Faà di Bruno	...	Count (as Antonino Faa' Di Bruno)
Mauro Misul	...	Philosophy Professor
Ferdinando Villella	...	Prof. Fighetta

Storyline

One year in a small northern Italian coastal town in the late 1930s is presented. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism and the national fervor surrounding Il Duce aka Benito Mussolini and Fascism. The stories loosely center on a mid-teen named Titta and his household including his adolescent brother, his ever supportive mother who is always defending him against his father, his freeloading maternal Uncle Lallo, and his paternal grandfather who slyly has eyes and hands for the household maid. Other townsfolk include: Gradisca, the town beauty, who can probably have any man she wants, but generally has no one as most think she out of their league; Volpina, the prostitute; Giudizio, the historian; a blind accordionist; and an extremely buxom tobacconist. The several vignettes presented include: the town bonfire in celebration of spring; life at Titta's school with his classmates and teachers; ...

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Plot Keywords:

group of friends | men masturbate together | big breasts | satire | surrealism | 

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Taglines:

The Fantastic World of Fellini!

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Genres:

Comedy | Drama

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Certificate:

R

Details

Country:

Italy France

Language:

Italian Greek, Ancient (to 1453)

Release Date:

19 September 1974 (USA)

Also Known As:

Amarcord

Filming Locations:

Anzio, Rome, Lazio, Italy

Company Credits

Production Co:

F.C. Produzioni, PECF

Technical Specs

Runtime:

123 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The title is the phonetic translation of the words "Mi ricordo" (I remember) as spelled in the dialect of Rimini, the town in which the director Federico Fellini was born, and where the film is set. The correct spelling should be "A m'arcord".

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Goofs

The banners promoting the Mille Miglia indicate that it was the seventh event (VII). However, the seventh running of the event was in 1933, and Beau Geste was not released until 1939. The Mille Miglia was not held in 1939.

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Quotes

[first lines]
Miranda: The puffballs.
Aurelio Biondi, Titta's Father: When the puffballs come, cold winter's almost gone.

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Alternate Versions

An exclusive digital restoration of the film was done by Criterion in 1995 for their laserdisc. The disc contains a before-and-after demonstration of the restoration process and has the option of either the original Italian soundtrack or the English-dubbed soundtrack.

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Connections

Referenced in The Editor (2014)

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Soundtracks

La Cucaracha
(uncredited)
Traditional
Played at the dance

User Reviews

When I attended the premiere, I felt this was the best film ever made.

When "Amarcord" had it's American premier at the Plaza Theatre on East 58th Street in New York, I was working as the manager of The Paris Theatre, also on 58th Street, just 2 blocks west, behind Bergdorf's and facing the front of the Plaza Hotel.

Both theatres were part of the Cinema-5 circuit of first-run theatres in Manhattan. I often took advantage of the pass privileges that theatres extend to one another and always attended every other theatre in the city to sample their fare.

As I often worked as 'relief' manager of The Plaza, I was well known to the the crew there and had easy access to that theatre at all times. When I first sat through "Amarcord" during it's opening, I realized that I had just seen "THE Finest Film Ever Made". When I told this to others, I was often scoffed at. I was told that the 'Finest Film' hadn't been made yet. That was until the scoffers saw the film for themselves. Every friend I brought to The Plaza to see "Amarcord" was as enchanted with the film as I was.

During it's opening run at the Plaza Theatre in 1974, I must have seen the film at least 50 times. I next saw "Amarcord" at an art house in another city in 1980. Yes, it was still the best film. In the 6 years since it's USA premier I can't say I saw any film better than "Amarcord."

Then, when it was at long last released on videotape in the 1990's, I purchased the tape. When I watched the tape I wept. Yes, it was STILL the finest film ever made. I DO think the world of "Nights of Cabiria", "La Strada", "La Dolce Vita" and "8 1/2". But "Amarcord" is more than just Fellini's greatest work. It is greater than ANY other film, made by any other person or group of persons. I know now, 27 years after I first saw this film, that I will certainly say, 27 years in the future: This is THE film that no film-maker can top.

..In my humble opinion, of course....