A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a ... See full summary »
Al Freeman Jr.,
Following her husband's death, a wife discovers and confronts her husband's lover. Their mutual pain, love, envy and jealousy bring them together in an unexpected emotional and physical ... See full summary »
Forty year old Norwegian-American divorcée Ann Stanley owns her own Manhattan based real estate agency specializing in upscale Manhattan apartments. She lives with her seventeen year old ... See full summary »
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
This film was shown once on local TV in the early 1980s (but I was too young to watch it) and then fell completely off the radar in the interim; however, thanks to the God-sent overhaul that TCM UK has finally decided to give its long-decaying schedule of endlessly-repeated titles, I was able to finally catch up with it after some 25 odd years! Not because the film has any kind of reputation per se but its credentials are certainly impeccable and European History has always been one of my favorite subjects in school (and one in which I excelled in). The story of Sweden's Queen Christina had already been dealt with magnificently by Rouben Mamoulian in his eponymous 1933 film which had provided Greta Garbo with arguably her greatest role; this being made a good 40 permissive years later, the independent-minded Protestant monarch (Liv Ullmann) renounces her faith and throne to sneak into the Vatican and pour out her lesbian longings for a childhood friend onto a Roman Catholic Cardinal (Peter Finch) engaged to investigate her well-documented wanton ways and her newly-professed piety! The two stars, reunited a year after Ross Hunter's maligned 1973 musical version of LOST HORIZION, are practically the whole show here despite being surrounded by opulent sets and a cast of thespian notables: Cyril Cusack (as Christina's guardian), Graham Crowden (as a fellow Cardinal), Edward Underdown and Kathleen Byron (as, respectively, Christina's chivalrous father and embittered mother) and diminutive Michael Dunn (in his last film as Christina's enigmatic servant). Celebrated cinematographer Geoffrey Unsworth shoots the opening abdication scenes in moody candlelight, bathes the film in mist during Christina's childhood reminiscences and lends it a sunny look during her liberated passages; Nino Rota's music score is also appropriately sensitive or soaring according to the film's moods. Incidentally, another failed historical/religious charade featuring Liv Ullmann I would like to see is Michael Anderson's POPE JOAN (1972) who knows if TCM UK will likewise surprise me and provide the opportunity to catch up with it in the not-too-distant future?
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