After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ...
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On the night before Rhoda and Joe's wedding, Rhoda and Mary are reminiscing about all their past bad dates, while Phyllis laments not feeling like she has any real purpose for the wedding. As such, ...
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda Morgenstern returns to her hometown of New York City to begin life anew. She continues her navigation of searching for true love, initially with Joe Girard, the owner of his own wrecking company, he being the original reason she decided to move back to New York to begin with. Her relationships with Joe and with other men are an evolution to often being the pursued from what was a self-perception of being the overweight ugly duckling always doing the pursuing and mostly of undesirable men who she felt were the only people she could pursue. She also tries to find her place in the working world, doing something using her artistic abilities honed in art school such as the window dressing work she did in Minneapolis. Through it all, she reestablishes a day-to-day relationship with her family: her overbearing and ...Written by
Robert Moore (no relation to Mary Tyler Moore) who appeared as Ben, Phyllis' brother in the Mary Tyler Moore show's "Her Brother's Keeper" episode, and who also dated Rhoda/Valerie Harper in that episode, would go on to direct Valerie in "Rhoda," the spinoff of M.T.M. Moore was the subject of Rhoda's famous "He's gay!" punchline, the first time it had ever been said on television. Moore didn't mind because he is gay in real life. Moore went on to be the lead director of Rhoda. See more »
Rhoda's apartment (in early seasons) is numbered 9-E; however, in exterior zoom-in shots, the building depicted has only six stories. See more »
Drinking doesn't cause hangovers; stopping drinking causes hangovers.
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Two versions of the first season opening credits exists ("My name is Rhoda Morganstein..."). The rarer version has the extra line "In school my grades were OK - mainly Bs and Cs..." (On screen are various pictures of the letters 'B' and 'C' as well as an 'E') "...except for self control. Oy..." (Pictures of 'F's fill the screen.). This is placed between the lines about food being the first thing she loved that loved her back, and 'I had a bad puberty...it lasted 17 years.' See more »
Of the three series to spin-off of THE MARY TYLER MOORE SHOW, this one is the best and most memorable. Valerie Harper played the Rhoda character to perfection on TMTMS, and here, she expands on that well-loved character, with a degree of depth, rarely found on sitcoms today. Rhoda Morgenstern went through a variety of challenges on this series...she moved back to New York, met Joe Gerard, got married...separated...divorced, and then went back to being a swinging single. It's too bad this show was cancelled without a real final episode...I've always wondered how they would have ended this, had they the opportunity to do so gracefully.
Along with Harper, was Julie Kavner, brilliant, as Rhoda's little sister, Brenda. Nancy Walker was also priceless as Ida, the mom. The best episode of this series has got to be "Rhoda's Wedding", the one-hour saga of how Rhoda almost doesn't make it down the isle, because ditzy Phyllis forgets to pick her up. In fact, the whole wedding storyline; Rhoda meeting Joe, the proposal, the shower, wedding and honeymoon, are some of the best-written comedy episodes. It's too bad Joe was written off the show, but "The Separation", is one of the most poignant, thoughtful, and well-acted episodes I've seen in a sitcom. Proof once again, as to the degree of depth that the characters on this show had.
I don't think this show was quite the same once Rhoda's divorce was final. The later episodes just lacked the earlier vibrance and fun, and I didn't like the storyline about Rhoda's father, Martin, leaving Ida. Still, this is a fine series, great acting, writing, and production, and there's no doubt about it that scarves were never worn the same way again.
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