After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ...
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On the night before Rhoda and Joe's wedding, Rhoda and Mary are reminiscing about all their past bad dates, while Phyllis laments not feeling like she has any real purpose for the wedding. As such, ...
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
This spin-off from Mary Tyler Moore (1970) has Mary Richards' landlady, Phyllis Lindstrom, moving back to her hometown of San Francisco with her teenage daughter Bess following the sudden ... See full summary »
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda Morgenstern returns to her hometown of New York City to begin life anew. She continues her navigation of searching for true love, initially with Joe Girard, the owner of his own wrecking company, he being the original reason she decided to move back to New York to begin with. Her relationships with Joe and with other men are an evolution to often being the pursued from what was a self-perception of being the overweight ugly duckling always doing the pursuing and mostly of undesirable men who she felt were the only people she could pursue. She also tries to find her place in the working world, doing something using her artistic abilities honed in art school such as the window dressing work she did in Minneapolis. Through it all, she reestablishes a day-to-day relationship with her family: her overbearing and ...Written by
This show is ground-breaking and paved the way for many shows to come. Before Friends and Seinfeld, this was the show about singles living in New York City. This show portrayed the Jewish-American culture in a positive light. The chemistry between Valerie Harper, Julie Kavner, and Nancy Walker is among the best that television has ever seen. And, while always funny, it was constantly breaking its premise in half and yet still staying funny and great. I love, too, how it is the first great sitcom that used self-deprecation as a tool to provide humor and portray grand humanity. Both Harper and Kavner (Marge Simpson of The Simpsons) belong in the Television Hall of Hame based simply on this wonderful show.
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