Tony Petrocelli is an Italian-American Harvard-educated lawyer who gave up the big money and frenetic pace of major-metropolitan life to practice in a sleepy city in the American Southwest.... See full summary »
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Our Favorite TV and Movie Lawyers

Get ready for "Goliath" Season 2 with a look at some of our favorite lawyers from the big and small screens.

Check out more of our favorite on-screen lawyers

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2   1  
1976   1975   1974  
Nominated for 3 Golden Globes. Another 1 win & 3 nominations. See more awards »

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Cast

Complete series cast summary:
...  Anthony J. Petrocelli 44 episodes, 1974-1976
...  Maggie Petrocelli 44 episodes, 1974-1976
...  Pete Ritter 44 episodes, 1974-1976
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Storyline

Tony Petrocelli is an Italian-American Harvard-educated lawyer who gave up the big money and frenetic pace of major-metropolitan life to practice in a sleepy city in the American Southwest. He and wife Maggie live in a trailer in the country while waiting for their new house to be built, and travel around in a beat-up old pickup truck. For a quiet rural area, Petrocelli seems to have no trouble running into his share of murderers to defend. Written by Marty McKee <mmckee@wkio.com>

Plot Summary | Add Synopsis

Taglines:

He's real and his own man. Barry Newman returns as the big city lawyer who's making big waves in the Southwest (season 2)

Genres:

Crime | Drama

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Details

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Release Date:

11 September 1974 (USA)  »

Company Credits

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Technical Specs

Runtime:

(44 episodes)

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Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

NBC cancelled the series in 1976 without airing three episodes: "The Pay Off", "Shadow of a Doubt", and "Jubilee Jones". Those segments eventually aired in syndication. See more »

Connections

Referenced in Phoenix Nights: Episode #2.6 (2002) See more »

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User Reviews

Good show, but unethical
3 September 2002 | by See all my reviews

This series was excellent in all the primary attributes one looks for in a legal drama: the setting was fresh and new, the characters were interesting, the cast was always on the mark, and the writing was both believable and absorbing. I had a major complaint, however, with the most famous aspect of the show. What "Petrocelli" did different from other courtroom dramas was its dramatization of each witness's account of the crime. Unfortunately, this meant it visually presented false accounts--things that *never happened.* I know how rhetoricians, relativists, and post-modernists of every stripe love to debate the non-existence of objective truth, but prime-time television isn't the forum for such questions. It bothered me every time I watched the show, and every time it came up in discussion with others, they (almost to a one) agreed with me.


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