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The Wicker Man (1973)

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A Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed. Stranger still are the rites that take place there.


Robin Hardy


Anthony Shaffer (screenplay)
3,077 ( 608)
2 wins & 6 nominations. See more awards »



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Cast overview, first billed only:
Edward Woodward ... Sergeant Howie
Christopher Lee ... Lord Summerisle
Diane Cilento ... Miss Rose
Britt Ekland ... Willow
Ingrid Pitt ... Librarian
Lindsay Kemp ... Alder MacGreagor
Russell Waters Russell Waters ... Harbour Master
Aubrey Morris ... Old Gardener / Gravedigger
Irene Sunters Irene Sunters ... May Morrison (as Irene Sunter)
Walter Carr ... School Master
Ian Campbell Ian Campbell ... Oak
Leslie Blackater Leslie Blackater ... Hairdresser
Roy Boyd Roy Boyd ... Broome
Peter Brewis Peter Brewis ... Musician
Barbara Rafferty Barbara Rafferty ... Woman with Baby (as Barbara Ann Brown)


On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the ... Written by Huggo

Plot Summary | Plot Synopsis


...A totally corrupt shocker from the author of "Sleuth" and "Frenzy"! See more »


R | See all certifications »

Parents Guide:

View content advisory »






Release Date:

7 August 1974 (USA) See more »

Also Known As:

El culto siniestro See more »


Box Office


£500,000 (estimated)

Opening Weekend USA:

$5,493, 29 September 2013, Limited Release

Gross USA:

$60,891, 10 January 2014
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


| (extended) | (final cut)

Sound Mix:



Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


This movie was inspired by an engraving called "The Wicker Image" in Britannia Antiqua Illustrata by Aylett Sammes in 1676. Some people have doubted the historical existence of The Wicker Man, suggesting that it came from Roman propaganda by people such as Julius Caesar. There is, however, undeniable evidence that the Druids and the Celts practiced human sacrifice. See more »


While Sgt Howie is at the chemist shop he shows Lennox (who is mixing something with a mortar and pestle) a photo of the missing girl. Notice how in between shots the photo goes from Howie's hand into Lennox's hand, without having been handed over. See more »


[first lines]
Sergeant Howie: [yelling] Will you send a dinghy, please?
See more »

Crazy Credits

[Short Version only] A message from the producers thanks "The Lord Summerisle and the people of his island" for co-operating in the making of the film. This is despite both the lord and the island being totally fictitious. See more »

Alternate Versions

A dual DVD set in a burnt wooden box was released in 2001 by Anchor Bay. It has the standard 88 (or 87) minute Theatrical Version. It also has a 99 minute Extended Version. This also has the events in chronological order (unlike the 88 min version). Unlike the 95 minute version it does have footage prior to Sgt. Howie's arrival on Summerisle, including him as a Preacher. See more »


Referenced in Leisure Suit Larry: Box Office Bust (2009) See more »


Opening Music
Performed by Magnet
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Frequently Asked Questions

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User Reviews

Proof that the British horror genre was once great?
3 June 2008 | by johnnyboyzSee all my reviews

There is a distinct air of menace flowing throughout The Wicker Man, a distinct feeling of unwelcome and unkind put across in the most brilliant of manners because everyone acts so nicely. Then there is the awful feeling you get at certain points when you realise the character of Sergeant Howie (Woodward) is in actual fact a policeman and what might happen if he hadn't been. The Wicker Man is really a mere exercise in suspense on the surface but I think it toys with other, more political ideas during the core of the film before substituting everything and just focussing very briefly on the religious aspects it raises.

For Sergeant Howie, he is bordering on the ultimate fish-out-of-water. Howie may be British and may well still be in Britain but that does not exclude him from the fish-out-of-water treatment that other film characters get when they are in that respective situation (see Doyle in 'French Connection II' and Neo in 'The Matrix' among many other examples). Howie is a man of pride; a man with ideas, discipline and rules and regulations he likes to stand by. He is a thorough man and this is partly his downfall since it is this case that is so difficult, it sees him assigned to it. Howie is on a remote Scottish isle investigating a disappearance of a young girl but while remaining within the boundaries of his own world; his own language and even his own country, Howie will find the going difficult and complicated due to several unsuspecting and eerie things.

Firstly, the location of the island is important because it obviously resembles a sort of detachment from the mainland or indeed the rest of the world. There is special care taken to tell the audience as well as Howie that the mainland is a good week or so away by boat. So within this isolated utopia for the locals develops a sub-culture, a world in which people are people but methods of teaching, governing and religion are very different. This can be read into as some sort of political statement by the writer of the film – perhaps he is bringing to attention the level of policing in Britain for the time? There is no suspicion from Howie at all in the film but I noticed very quickly there was no police station nor was there any feeling that rules were apparent. The whole island was governed by a mysterious, never seen man and look at what situation the island locals were in, in terms of mentality.

So if this island is a society without law and order; without a stone wall ruling on the most basic humane regulations, is the writer trying to bring to our attention the dangers of lack of authority in our own country? But The Wicker Man is not entirely an ambiguous text revolving around statements on our own world and society. It is a chilling and haunting horror film that predominantly falls into the 'Gothic' typecast due to its minute details on screen. There is a distinct ritualistic tone to the film and it is one that is fetishised. Several years earlier, Christopher Lee himself starred in the highly fetishised 'Dracula'. Here, shots of naked people sitting on grave stones and people having sex in graveyards, maybe to merely gross the 1973 audience out or to just make us aware that this is indeed going to be different, are included and add an ever present layer of disturbance but also one of ambiguity – why is it that people here do these things? To combine sex with a place of death can be linked with the film's overall theme. The man in the scene around the maypole sings a song about evolution and reproduction and generally about a certain circle of life. From here, it is only obvious that the act of reproduction (sex) to produce new life would take place in a location in which you bury the dead. Life goes on, it seems.

Then there is that extra evidence to suggest this is one of the great Gothic horrors. How may of the cast are actually playing themselves? There are the people in the public house and the elderly folk by the harbour. This gives off its own air of disturbance in the sense they might be playing themselves and what with the commentary on society as a whole, the two seem to bind together all the too nicely. Then there is the attention to faces early on. The chocolates in the baker's window have faces on them and the close up of the pub sign has a face on it. There is also the excessive wearing of masks later on as identity is toyed and revealed but generally kept ambiguous. Is this the future of the society circa 1973? Do we know what we believe in terms of religion? And where we are going in the future? What about the schools and the policing? Will this be the sad reality of a nation gone mad if these things are cut back on? I think these are the sorts of questions the writers are raising by making a film like this and it must've been all the more disturbing in 1973.

So if The Wicker Man succeeds as a statement then it certainly succeeds as a piece of Gothic horror. It mixes in the uncanny with the surreal and it carries a distinct atmosphere of dread all throughout. There is ambiguity all over the place but I especially liked the attention to the film's music: is it diegetic or not? Sometimes it is and others it isn't but it's such a head-trip of a soundtrack that it's difficult to notice most of the time. This surely one of the better British films ever made.

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