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The Wicker Man (1973)

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A Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed. Stranger still are the rites that take place there.

Director:

Robin Hardy

Writer:

Anthony Shaffer (screenplay)
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2,391 ( 206)
2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Edward Woodward ... Sergeant Howie
Christopher Lee ... Lord Summerisle
Diane Cilento ... Miss Rose
Britt Ekland ... Willow
Ingrid Pitt ... Librarian
Lindsay Kemp ... Alder MacGreagor
Russell Waters Russell Waters ... Harbour Master
Aubrey Morris ... Old Gardener / Gravedigger
Irene Sunters Irene Sunters ... May Morrison (as Irene Sunter)
Walter Carr ... School Master
Ian Campbell Ian Campbell ... Oak
Leslie Blackater Leslie Blackater ... Hairdresser
Roy Boyd Roy Boyd ... Broome
Peter Brewis Peter Brewis ... Musician
Barbara Rafferty Barbara Rafferty ... Woman with Baby (as Barbara Ann Brown)
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Storyline

On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

From the writer of 'Frenzy & Sleuth' Anthony Shaffer's incredible occult thriller See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

7 August 1974 (USA) See more »

Also Known As:

El culto siniestro See more »

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Box Office

Budget:

$810,000 (estimated)

Opening Weekend USA:

$5,493, 29 September 2013

Gross USA:

$60,891

Cumulative Worldwide Gross:

$98,201
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended) | (final cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The lyrics for the popular song "Corn Rigs Are Bonnie" in this movie was written by Robert Burns in 1775. The music was written especially for this movie. See more »

Goofs

On May Day, when Sgt Howie attempts to leave the island , the establishing shot of the harbor shows the plane moving across the surface of the water under the power of its propeller. It looks as if Sgt Howie is leaving or someone in another plane is landing. However, we find out in the subsequent scenes that Sgt Howie discovers that his plane is disabled and will not start, stranding him on the island. See more »

Quotes

[first lines]
Sergeant Howie: [yelling] Will you send a dinghy, please?
See more »

Crazy Credits

[Short Version only] A message from the producers thanks "The Lord Summerisle and the people of his island" for co-operating in the making of the film. This is despite both the lord and the island being totally fictitious. See more »

Alternate Versions

The later video release featured another recovered pre-title scene of Howie in the police station, which was not seen in the Director's Cut theatrical release. See more »

Connections

Featured in Shameful Sequels: The Wicker Man (2009) See more »

Soundtracks

Tinker Of Rye
(uncredited)
Written by Paul Giovanni
Performed by Diane Cilento and Christopher Lee
See more »

Frequently Asked Questions

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User Reviews

 
A cult film about cult practices...
19 September 2003 | by united100See all my reviews

The best British horror film ever made? Probably, yes. The best horror film ever made? No. The best occult thriller ever? Quite possibly.

The film was in part conceived as a vehicle for Christopher Lee to get away from his Hammer roles and give him a chance to demonstrate that, yes, he could actually act. Perversely, however, the film is in many ways homage to the films produced by the Hammer studio and is at the same time their antithesis.

Although Lee's Lord Summerisle was certainly a stronger character than his Hammer caricatures, and was suitably sincere and sinister, it was left to Edward Woodward's bumbling, pious Highland Police Sergeant to carry the film.

The rest of the cast are not as strong as the two central characters. Famously, it was always suggested that Britt Ekland's voice was overdubbed for the entire film. Robin Hardy has now denied that, stating that only her singing was dubbed. Even if the other actors' performances fail to match those of Woodward and Lee, somehow, it doesn't detract from the film.

Almost as famous as The Wicker Man itself are the stories surrounding the film. The version first released was almost completely butchered from an original, almost grandiose cut of 102 minutes to a more concise 87. Christopher Lee has always maintained that this was a crime against the greatest piece of art with which he had ever been involved. The original negatives were then accidentally thrown out!

When a fuller version finally surfaced in 2001, Lee's contentions were (at least in part) proved. The film was overall improved, and save for a couple of points of rather clumsy editing (the flashbacks Edward Woodward has as the penny drops spring to mind) and the pointless scenes before the flight to the island, it ran more smoothly and made more sense.

The film's greatest asset comes through in whichever version you actually see. The eerie sinister atmosphere never fails to be conveyed. Somehow, the fictitious Scottish island setting of Summerisle, which could so easily turn twee at any moment steers clear of the territory occupied by Brigadoon or the now happily deceased BBC TV drama 'Monarch of the Glen'.

The setting's remoteness, which could have been its worst enemy, is actually its greatest ally.

Perhaps the most interesting thing about the film, however, is the way that it steadfastly refuses to fit precisely into any genre. It is all at once a horror, a thriller and even a musical! Unbelievably, these things come together and fit into the film.

The music in The Wicker Man is unique, always adding just the right tone of eeriness or bawdiness to proceedings. A strange mix of elements including traditional folk music, it's as innovative and interesting as the soundtracks to Blade Runner, or The Virgin Suicides. The opening title sequence to the tune of Corn Rigs succeeds in transporting you with the plane over the remote coastal peninsulas and out into the Irish Sea towards Summerisle.

My only criticism of the film (and I really am nitpicking here) is the way it goes about establishing Sergeant Howie's Christianity. I can't conceive of the Howie character adhering to any religion other than one of the obscure forms of Presbyterian Protestantism practised in parts of the Highlands of Scotland. These scenes contain an apparent reverence for the sacraments that appears more Catholic in nature. This distinction in religious backgrounds is important to understanding Howie's attitudes. Nevertheless, I am truly nitpicking when I make this criticism!

But what ultimately makes this film is its ending. Without giving the game away for those who have not yet seen the film, it is inevitable, and yet wholly unexpected when it finally comes.

The Wicker Man would be a classic of its genre - if it had a genre. Instead, it has to be ranked as a classic film.


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