In pre-WWII, McCarthyism, a diametrically opposed couple come together only to find out that geniune friendship and physical attraction is not enough to overcome fundamental societal beliefs... Read allIn pre-WWII, McCarthyism, a diametrically opposed couple come together only to find out that geniune friendship and physical attraction is not enough to overcome fundamental societal beliefs.In pre-WWII, McCarthyism, a diametrically opposed couple come together only to find out that geniune friendship and physical attraction is not enough to overcome fundamental societal beliefs.
IMDb RATING
7.1/10
24K
YOUR RATING
- Director
- Writers
- Arthur Laurents
- Francis Ford Coppola(uncredited)
- Paddy Chayefsky(uncredited)
- Stars
Top credits
- Director
- Writers
- Arthur Laurents
- Francis Ford Coppola(uncredited)
- Paddy Chayefsky(uncredited)
- Stars
- Won 2 Oscars
- 6 wins & 8 nominations total
Videos5
- Director
- Writers
- Arthur Laurents
- Francis Ford Coppola(uncredited)
- Paddy Chayefsky(uncredited)
- All cast & crew
- See more cast details at IMDbPro
Storyline
The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that Katie sees beyond his good looks to find a person with substance who realizes his position in a life as something that does not give him an inherent right to those opportunities. External world events, such as the Spanish Civil War, WWII and the House Un-American Activities investigation, do affect their lives directly, but it is how they deal with these effects personally, largely in relation to personal relationships - such as with Hubbell's long term friends J.J. and Carol Ann, the latter his college girlfriend - that may dictate if Katie and Hubbell are able to make it in the long term as a couple. —Huggo
- Taglines
- Everything seemed so important then .. even love!
- Genres
- Certificate
- PG
- Parents guide
Did you know
- TriviaRobert Redford was unhappy with cuts made to the film following a preview. He said, "I think we'd both have preferred a more political Dalton Trumbo -type script, but finally Sydney came down on the side of the love story. He said, 'This is first and foremost a love affair,' and we conceded that. We trusted his instincts, and he was right."
- GoofsIn California, Katie is holding a "hot" pot and offers it to Hubbell. He takes a spoonful and notes that it is, indeed, hot. However, moments later, Katie is holding the bottom of the pot with her bare hands.
- Quotes
Hubbell Gardner: People are more important than their principles.
Katie Morosky Gardner: People ARE their principles.
- ConnectionsFeatured in Film Extra: Sydney Pollock (1973)
- SoundtracksThe Way We Were
(1973)
Composed by Marvin Hamlisch
Lyrics by Marilyn Bergman and Alan Bergman
Sung by Barbra Streisand before the opening credits and during the end credits.
Music played often in the score
Top review
Misunderstood Politics as Love Story
Although this film works tremendously as a love story (or rather, anti-love story, for they break up to stay authentic to their perspectives), the larger point of the film is to trace the evolution of American Thought,--'The Way WE Were'-- from a time before Total Commercialism took over. Streisand here is the Idealist who fights for the Rights of others, and Redford is the happy-go-lucky privileged guy who simply (though regrettably) wants to live an uncomplicated life of sacrifice--two different options that battled in America from the late '20's on. Here the two Ideals are attracted to each other, and though they share an admiration, are not complementary. (A point much better made if you include the tragically cut deleted scenes--see YouTube) Great Star power by the 2 leads, and some really thoughtful dialogue (especially restaurant fight scene) that raise this film far above simply 'a love story'.
helpful•30
- eldiran-24234
- May 28, 2018
Details
Box office
- Gross US & Canada
- $45,000,000
- Gross worldwide
- $45,000,000
- Runtime
- 1h 58min
- Sound mix
- Aspect ratio
- 2.39 : 1
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