Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
George Roy Hill
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence.Written by
George Roy Hill tried to find locations in Chicago and Los Angeles that had not been touched by modern civilization to use for some of the scenes. In Los Angeles, locations such as The Green Hotel, the Santa Monica Carousel and The Biltmore Hotel were all used. Chicago's Union Station was also used along with LaSalle Street Station. Producer Tony Bill also contributed to the film's authentic look by helping to round up a number of period automobiles in the Southern California area. See more »
There's a double yellow line in the street outside the merry-go-round, just after Hooker arrives in Chicago. See more »
Dukey, if this thing blows up, the Feds will be the least of our problems.
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The opening credits are animated like a storybook. See more »
Great comedy-crime caper with giants Newman and Redford rekindling their "Butch & Sundance" flame to take down crime lord Robert Shaw (his finest role). Marvin Hamlisch beautifully recreates Scott Joplin's great music, while director George Roy Hill and screenwriter David S. Ward keep the film moving with snappy dialogue, wonderful art direction and editing and an excellent supporting cast. Followed by a sequel ten years later with Jackie Gleason.
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