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The Sting (1973)

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Two grifters team up to pull off the ultimate con.

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Top Rated Movies #97 | Won 7 Oscars. Another 11 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Heffernan ...
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Jack Kehoe ...
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Luther Coleman (as Robertearl Jones)
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Mottola (as James J. Sloyan)
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Lee Paul ...
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Storyline

Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence. Written by headlessannie

Plot Summary | Plot Synopsis

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...all it takes is a little Confidence. See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

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Details

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Release Date:

25 December 1973 (USA)  »

Also Known As:

The Sting  »

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Box Office

Budget:

$5,500,000 (estimated)

Gross USA:

$159,600,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

George Roy Hill tried to find locations in Chicago and Los Angeles that had not been touched by modern civilization to use for some of the scenes. In Los Angeles, locations such as The Green Hotel, the Santa Monica Carousel and The Biltmore Hotel were all used. Chicago's Union Station was also used along with LaSalle Street Station. Producer Tony Bill also contributed to the film's authentic look by helping to round up a number of period automobiles in the Southern California area. See more »

Goofs

The 43rd Street 'L' platform shows "A" and "B" stops, not introduced until WWII, and employs the Helvetica typeface, designed in 1957. See more »

Quotes

Johnny Hooker: I gave him the breakout just like you said.
Henry Gondorff: And?
Johnny Hooker: 'S good. He threatened to kill me.
Henry Gondorff: Hell, kid, they don't do that, you know you're not getting to 'em.
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Crazy Credits

The opening animated logo for Universal Pictures is in 1930s style, matching the movie's setting, instead of the 1970s version. See more »

Connections

Referenced in Lupin the Third: Dragon of Doom (1994) See more »

Soundtracks

The Washington Post
(uncredited)
Written by John Philip Sousa
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Frequently Asked Questions

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User Reviews

 
Everything's Jake In Second Trip To Well
29 December 2004 | by See all my reviews

The fix is in, the odds are set, and the boys are ready to play for the big time, both on the screen and behind the camera in this breezy, endlessly entertaining movie classic.

Robert Redford is small-time hustler Johnny Hooker, happy to play the marks in Joliet until the murder of his mentor pushes him to go up against the nastiest mug in Chicago, Doyle Lonnegan (Robert Shaw.) Hooker'd rather ice Lonnegan outright, but will settle for a big con with the help of a slightly wobbly but game scammer named Henry Gondorff, played as only Paul Newman can.

Newman and Redford, along with director George Roy Hill, had a lot riding on this pony, given it was a follow-up to their earlier "Butch Cassidy And The Sundance Kid." To measure up, they had to produce nothing short of another classic. And so they did. "The Sting" won the Best Picture Oscar in 1973, and remains the sentimental favorite among many in choosing between the two films.

Comparing "The Sting" to "Butch Cassidy" is kind of overdone sport, and tempers, as Lonnegan would say, run hot. But you can see why "The Sting" worked as well as it did by looking at how the director and the stars played it differently within the same basic framework as "Butch Cassidy." Newman and Redford are again outlaws and underdogs. Period detail abounds here as it did with "Butch Cassidy," and there's another memorable score amid the proceedings, Scott Joplin rags modernized by Marvin Hamlisch. The score even produced another hit, "The Entertainer," to compare with "Raindrops Keep Falling On My Head."

What's different about "The Sting," and what makes it such a classic in its own right, is the way the stars service the plot. In "Butch Cassidy," Newman and Redford's comradeship was the story. Here, the chemistry between the two actors is minimized in favor of spinning a yarn with enough red herrings to feed the Swedish navy. The tale here is better than "Butch Cassidy," which is a more elegiac film with grander cinematography and funnier set pieces. "The Sting" is an edge-of-your-seat caper flick from beginning to end.

You can't really call "The Sting" a comedy. Though there are many laughs, especially when Newman hooks Shaw during a poker game, Hill won't let the audience relax enough for that. What this is is a con game, played on the audience, designed not to cheat but entertain by means of clever hoodwinking and constant misdirection plays.

You'll get no spoilers from me. This is one worth sitting through with no expectations. Five gets you ten you'll enjoy Newman and Redford, and a terrific supporting cast (one advantage over "Butch Cassidy") that includes Charles Durning, Eileen Brennan, Dana Elcar, Harold Gould, and Mr. Hand himself, Ray Walston. There's another familiar face from "Butch Cassidy," Charles Dierkop, Flat Nose Curry in "Butch Cassidy" and Lonnegan's right hand here. The best performance may be Robert Shaw's; he exudes menace aplenty but some humanity, too, when he takes Hooker under his wing after learning he came from the same hard streets of Five Points Lonnegan sprang from.

Terrific period detail, too. The dialogue is great and feels real in its Runyonesque way, while the cons are elaborate and logically played out. Watching this a second time is especially fun because once you know how the plot goes down, you find yourself catching clues you missed the first time, and enjoying the film even more for them.

Why didn't Newman and Redford team up again? Certainly there was another good movie for them to partner up in, but as Gondorff would have put it, only chumps don't quit when they're ahead.


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