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The Sting (1973)

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Two grifters team up to pull off the ultimate con.

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Top Rated Movies #98 | Won 7 Oscars. Another 11 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Henry Gondorff
... Johnny Hooker
... Doyle Lonnegan
... Lt. Wm. Snyder
... J.J. Singleton
... Billie
... Kid Twist
John Heffernan ... Eddie Niles
... F.B.I. Agent Polk
Jack Kehoe ... Erie Kid
... Loretta
... Luther Coleman (as Robertearl Jones)
... Mottola (as James J. Sloyan)
... Floyd - Bodyguard
Lee Paul ... Bodyguard
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Storyline

Johnny Hooker, a small time grifter, unknowingly steals from Doyle Lonnegan, a big time crime boss, when he pulls a standard street con. Lonnegan demands satisfaction for the insult. After his partner, Luther, is killed, Hooker flees, and seeks the help of Henry Gondorff, one of Luther's contacts, who is a master of the long con. Hooker wants to use Gondorff's expertise to take Lonnegan for an enormous sum of money to even the score, since he admits he "doesn't know enough about killing to kill him." They devise a complicated scheme and amass a talented group of other con artists who want their share of the reparations. The stakes are high in this game, and our heroes must not only deal with Lonnegan's murderous tendencies, but also other side players who want a piece of the action. To win, Hooker and Gondorff will need all their skills...and a fair amount of confidence. Written by headlessannie

Plot Summary | Plot Synopsis

Taglines:

Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release) See more »

Genres:

Comedy | Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 1973 (USA)  »

Also Known As:

The Sting  »

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Box Office

Budget:

$5,500,000 (estimated)

Gross USA:

$159,600,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

As soon as George Roy Hill signed on to direct, he knew that he wanted to lighten the tone. Originally, David S. Ward had written the story as a much darker tale of con men on the take. Hill, however, envisioned it as a playful homage to old Hollywood gangster films of the 1930s. See more »

Goofs

The 43rd Street 'L' platform shows "A" and "B" stops, not introduced until WWII, and employs the Helvetica typeface, designed in 1957. See more »

Quotes

Doyle Lonnegan: You see that fella in the red sweather over there? His name's Donnie McCoy. Works a few of the protection rackets for Cunnaro when he's waiting for something better to happen. Donnie and I have known each other since we were six. Take a good look at that face, Floyd. Because if he ever finds out I can be beat by one lousy grifter, I'll have to kill him and every other hood who wants to muscle in on my Chicago operation.
See more »

Crazy Credits

The opening credits are animated like a storybook. See more »

Connections

Featured in The Art of 'The Sting' (2005) See more »

Soundtracks

Easy Winners
(1901) (uncredited)
Written by Scott Joplin
Conducted and Adapted by Marvin Hamlisch
See more »

Frequently Asked Questions

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User Reviews

 
Working The Big Con
5 March 2007 | by See all my reviews

The Sting, evoking a bygone era of gangsters and con men, was the deserved Best Picture of 1973. The Sting won that Oscar plus a whole flock of technical awards. One award it didn't win was for Robert Redford as Best Actor.

That must have been tough for the Academy voters because to single out Redford as opposed to Paul Newman must have felt a bit unjust. For though Newman was nominated many times over his career and finally did win for The Color of Money, did not get a nomination for The Sting.

Robert Redford is a small time grifter who while working a bait and switch street con takes off a numbers runner carrying the weekly take. The orders come down from the head man himself, Irish-American gangster Robert Shaw to kill those who did this as an example.

Redford's mentor, Robert Earl Jones, is in fact killed, mainly because Redford starts spending a lot of that newly acquired loot that tips them off. Redford wants revenge so he looks up big time con man Paul Newman who himself is dodging law enforcement as is Redford also.

They work the big con on Shaw and it's a beauty. The scheme they have is something to behold. They also have to do a couple of improvisations on the fly that lend a few twists to the scheme.

The costumes and sets really do evoke Chicago of the Thirties and director George Roy Hill assembles a great cast to support Newman and Redford. My favorite in the whole group is Charles Durning, who plays the brutally corrupt, but essentially dumb cop from Joliet who nearly gums up the works and has to be dealt with.

Special mention should also go to Robert Shaw. He's got a difficult part, maybe the most difficult in the film. He's not stupid, he would not have gotten to the top of the rackets if he was. But he also has to show that hint of human weakness that Newman, Redford, and the whole mob they assemble that makes him vulnerable to the con.

During the sixties and seventies Robert Shaw was really coming into his own as a player, getting more and more acclaim for his work. His early death was a real tragedy, there was so much more he could have been doing.

Can't also forget another co-star in this film, the ragtime music of Scott Joplin that was used to score The Sting. It probably is what most people remember about The Sting. Music from the Theodore Roosevelt era, scoring a film set in the Franklin Roosevelt era made while Nixon was president. Strange, but it actually works.

The Sting still works wonders today.


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