Infiltrating Hollywood: The Rise and Fall of the Spook Who Sat by the Door is an independent documentary on the controversial and FBI repressed 1973 black film The Spook Who Sat By the Door... See full summary »
The story, set in Kansas during the 1920s, covers less than a year in the life of a black teenager, and documents the veritable deluge of events which force him into sudden manhood. The ... See full summary »
An actor limited to stereotypical roles because of his ethnicity, dreams of making it big as a highly respected performer. As he makes his rounds, the film takes a satiric look at African American actors in Hollywood.
Craigus R. Johnson,
Darius Lovehall is a young black poet in Chicago who starts dating Nina Mosley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just "... See full summary »
In order to improve his standing with Black voters, a White Senator starts a campaign for the CIA to recruit Black agents. However, all are graded on a curve and doomed to fail, save for a soft-spoken veteran named Dan Freeman. After grueling training in guerrilla warfare, clandestine operations and unarmed combat, he is assigned a meager job as the CIA's token Black employee. After five years of racist and stereotyped treatment by his superiors, he quietly resigns to return to his native Chicago to work for a social services agency...by day. By night, he trains a street gang to be the vanguard in an upcoming race war, using all that the CIA has taught him...Written by
The Spook Who Sat by the Door is a cult classic and named one of the most influential black films of the 70s (by Torriano Berry and Venise Berry in their book The 50 most influential black films). This film holds this title with good reason. The film begins with a senator facing the prospect of losing an election without the pivotal black vote. To win favor he decided to charge the CIA with racism since they have no black agents. The CIA agrees, although those in charge of the training do all that is possible to kick all of the recruits out. Only one survives, Dan Freeman. Freeman finds himself the token black, he is often called to show visitors what progress the CIA is making in race relations, before continuing his menial tasks of copying papers and giving tours. Though he plays his role, one gets the impression he is planning something big. After a few years of service with the CIA he returns home to Chicago and in his capacity as a social worker he organizes local gangs using his knowledge and training from the CIA. Without spoiling the rest of the film there is the classic struggle about how to approach change through the system or to over throw? This is represented by Freeman and a former friend who is now police chief in Chicago. Included is some of the socio-political issues that made the 60s and 70s what it was, making this film one that stands out in a decade of films high on action and low on plot. Taking budget issues into consideration and what director Ivan Dixon had to do to get the film made, it is well worth watching (even again).
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