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Title: Soylent Green (1973)
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| Cast overview, first billed only: | |||
| Charlton Heston | ... | Detective Thorn | |
| Leigh Taylor-Young | ... | Shirl | |
| Chuck Connors | ... | Tab Fielding | |
| Joseph Cotten | ... | William R. Simonson | |
| Brock Peters | ... | Chief Hatcher | |
| Paula Kelly | ... | Martha | |
| Edward G. Robinson | ... | Sol Roth | |
| Stephen Young | ... | Gilbert | |
| Mike Henry | ... | Kulozik | |
| Lincoln Kilpatrick | ... | The Priest | |
| Roy Jenson | ... | Donovan | |
| Leonard Stone | ... | Charles | |
| Whit Bissell | ... | Gov. Santini | |
| Celia Lovsky | ... | The Exchange Leader | |
| Dick Van Patten | ... | Usher #1 | |
In 2022, Earth is overpopulated and totally polluted; the natural resources have been exhausted and the nourishment of the population is provided by Soylent Industries, a company that makes a food consisting of plankton from the oceans. In New York City, when Soylent's member of the board William R. Simonson is murdered apparently by a burglar at the Chelsea Towers West where he lives, efficient Detective Thorn is assigned to investigate the case with his partner Solomon "Sol" Roth. Thorn comes to the fancy apartment and meets Simonson's bodyguard Tab Fielding and the "furniture" (woman that is rented together with the flat) Shirl and the detective concludes that the executive was not victim of burglary but executed. Further, he finds that the Governor Santini and other powerful men want to disrupt and end Thorn's investigation. But Thorn continues his work and discovers a bizarre and disturbing secret of the ingredient used to manufacture Soylent Green. Written by Claudio Carvalho, Rio de Janeiro, Brazil
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This is a brilliant sci-fi movie that is very strange in how men and women both view the same film. I have talked to many people about the film and almost every guy loved it and said it was brilliant--while most women thought it was just disgusting and stupid! This is the only movie I know of that has such polarized views based on gender. Perhaps many women just have a lower tolerance for disgusting or depressing plots--but whatever the cause, I have always found this difference fascinating.
The film begins with a murder and a subsequent investigation headed by Charlton Heston. This is set in the near future and the head of the huge international Soylent Corporation has been assassinated. As the film unfolds, you quickly realize this is a terrible and highly inequitable future American society. The rich live in gorgeous apartments with security and all the pleasures money can buy(including "furniture"--a euphemism for paid mistresses that come along with the apartment). At the same time, the masses are dirt poor, unemployed and in many cases living in abandoned cars or apartment hallways. Overpopulation and smog have taken a severe toll and the future looks awful indeed!
Why the rich man died and the awful truth he could not live with I really should NOT discuss--it could ruin the film for you. However, the film has a great plot and acting and is super-exciting to watch. Plus, it features Edward G. Robinson in his final screen performance as the crusty sidekick to Heston. Though not for the easily depressed or squeamish, this is a great sci-fi film that is allegorical and profound.