A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Young business executive hAres the viewing wast his luge is leading, and has a change of heart and decides to make life changes. He becomes a struggling (but happy) tap-dancing magician. His old boss is financially ruined, but finds a way to bounce back by commercialising his idea.
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Filmed stageplay based on the ancient greek play The Bacchae written by Euripides. This play is performed by members of The Performance Group, an NYC experimental theater group who has made... See full summary »
Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the ... See full summary »
The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so it's up to Grace to solve the murder mystery on her own.Written by
The tracking shot of Jennifer Salt walking up to the experimental hospital was influenced by the tracking shot of Martin Balsam walking up to the Bates house in Alfred Hitchcock's Psycho(1960). See more »
After Grace leaves her mother and gets into the phone booth to call a newspaper office, a cameraman and a moving camera are reflected in the shiny part of the phone, and the glass door of the booth. See more »
Did you know that the germs can come through the wires? I never call and I *never* answer. It's a good way to get sick. Very, very sick... That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!
See more »
For the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut. See more »
Sisters benefits from a terrific set-up, a well delivered first hour, a marvelous Bernard Herrmann score, and De Palma's able use of a split screen. Unfortunately it can't carry itself through to the end, and soon collapses into a confusing, formulaic, and ridiculous ending that obviously tries to cover up the fact that, well, De Palma simply didn't know HOW to end the film. Nonetheless it is essential viewing for fans of shock cinema, psychological horror, or cod-Hitchcock fans.
40 of 58 people found this review helpful.
Was this review helpful to you?
| Report this