Showdown

Decent Western , but neither extraordinary , nor notable , but acceptable ; dealing with two tough men who had been friends from infancy , until they fell out over attentions of their intimate sweetheart whom one of them married . After a train robbery committed in New Mexico, a small bunch sets-out to divide the loot . However , a disagreement over the shares causes one gang member , Billy Massey (Dean Martin) , to take the whole loot and run towards the Mexican border , being pursued by the remaining band formed by revenge-seeking outlaws . Unfortunately , band member Billy Massey is a very close childhood friend of the sheriff Chuck Jarvis (Rock Hudson) who's married to their beloved sweetheart (Susan Clark) . Now it's up to Chuck to bring Billy to Justice ....when the running stops and the bullets begin . Together they fought for survival...now their guns must turn against each other!

This is a tremendously exciting story of two men who have been friends since childhood - Damon and Pythias lookalike- , as they find themselves on opposite ends of the law , as Chuck became the honest town sheriff , while Billy took to train robbing . It begins as a sluggish , slow-moving Western but follows to surprise us with peculiar , rudimentary characters and solid plot . The tale is almost routine , and full of clichés , an upright sheriff and his old partner turned into a bandit come to join and separate , just in time to confront enemies but later the events get worse . The highlights of the film are the facing off between Rock Hudson and Dean Martin and the climatic showdown on the ending . Sober and adequate acting by Rock Hudson , but Dean Martin is better as the rebel and unconventional outlaw , his performance and role bear similarity to the one he played in ¨Rough Night in Jericho (1967)¨. It displays a vivid and lively musical score by David Rose and atmospheric cinematography by Ernest Laszlo . Watchable results for this offbeat Western.

The motion picture was professionally directed by George Seaton. This craftsman was a nice professional and a polish writer and a director who occasionally rose well above his average standard and was twice rewarded with Academy Award for so making . Seaton formed a partnership with William Perlberg , was to produce all Seaton's movies for several years . Both of them produced and directed the following successes as ¨Miracle on 34th Street¨, ¨The country girl¨, a monster Box office as ¨Airport¨ , the warlike movie : ¨Counterfeit traitor¨ and , another unusual War film as ¨36 hours¨ . Rating : 6/10 , acceptable and passable . The flick will appeal to Rock Hudson and Dean Martin fans. Worthwhile watching .

It may not be an amazing script, but the couple great actors of Martin and Hudson make it well worth the watch. It's a decent western, even if there's no great "action" to speak of. You won't find any memes from it, and it's not even really blog-worthy beyond the hour and a half of relaxing tv watching. Both Martin and Hudson play their parts in an understated way, which makes it more believable.

There's enough chemestry between Rock and Dean that they're comfortable to watch. There is some subtle humor here and there, and the story doesn't offend. Personally I enjoyed it, if you like westerns and buddies on opposite sides you may like it too.

The plot for Showdown is so ordinary that you might just find yourself asking why you picked this up in the video rental place. But there's enough star power on the first through third tiers that this 1973 oater can't be a complete waste of time.

I remember seeing the movie on NBC some thirty years or more ago. I'd never heard of it, it had interesting people, and how badly could it be butchered for television? It was only PG back then.

Showdown is one of those movies you should see just so you can say something like, "Hey, I saw this old western with Rock Hudson and Dean Martin, and it wasn't too bad." Of course, if your time is just too valuable, then skip it.

But it's a decent excuse to eat some popcorn.

I am quite satisfied by this western which looks very like an Andrew Mc Laglen's film from the early seventies; I mean a plot that sounds like a sixties scheme or late fifties but with the seventies melancholia touch. Nothing to do with Monte Hellman nor Sam Peckinpah's style, but it could be an Arnold Laven's film ; such as his ROUGH NIGHT IN JERICHO - with also Dean Martin as the villain, unlike FIVE CARDS STUD where he was the good guy and Bob Mitchum the bad one. Rock Hudson is better than ever here, totally different from his Douglas Sirk's films characters, not the handsome son in law anymore, but a rough, disillusioned and bitter, poignant man. Yes a good film to close a career, especially from a director for whom western was not the speciality. Donald Moffat in a very interesting supporting character, a villain, former ranch owner for whom we feel some empathy. In the Budd Boetticher - with Randolph Scott - manner...As Richard Boone in TALL T.

I have always had difficulty watching Rock Hudson getting into physically grittier parts; somehow he just doesn't ever quite convince me - he is just a bit too "clean cut" to be seen in a muddy outfit, or be in a fist-fight... This film sees him as the sheriff ("Chuck") out on the trail of old pal Dean Martin ("Billy") who has - almost playfully - helped a gang of outlaws rob a train. Things start to go south shortly after that and soon Hudson is on his trail and a local posse is on the trail of them both! It's not the most complex storyline you will ever see, and the stars - alongside a rather feisty Susan Clark as Hudson's wife provide a nicely paced western adventure. Apparently the two men were a bit like rutting stags during filming, but it doesn't cross into the production - it's a decent, if largely forgettable, 100 mins.