| Cast overview, first billed only: | |||
| Roy Scheider | ... | Buddy - Seven-Up | |
| Victor Arnold | ... | Barilli - Seven-Up | |
|
|
Jerry Leon | ... | Mingo - Seven-Up |
| Ken Kercheval | ... | Ansel - Seven-Up | |
| Tony Lo Bianco | ... | Vito Lucia | |
|
|
Larry Haines | ... | Max Kalish |
| Richard Lynch | ... | Moon | |
| Bill Hickman | ... | Bo | |
|
|
Lou Polan | ... | Carmine Coltello |
|
|
Matt Russo | ... | Festa |
| Joe Spinell | ... | Toredano | |
|
|
Robert Burr | ... | Lt. Hanes |
| Rex Everhart | ... | Inspector Gilson | |
| David Wilson | ... | Bobby | |
|
|
Ed Jordan | ... | Bruno |
Buddy, Barilli, Mingo and Ansel, detectives with the NYPD, comprise a secret investigative unit called the Seven-Ups, who, largely undercover, focus on cases leading to felony convictions with prison sentences of seven years or more for the criminals in question. Many within the NYPD who know about the unit don't support the idea of it because of the often unethical way they work on the cases, but their superior, Inspector Gilson, defends the unit solely because of the results. On the sly, Buddy, who is the head of the team, gets much of the information for the cases from Vito Lucia, a childhood friend who still lives and works in the old neighborhood where much of the crime is based. Vito knows that his life could be in danger if the mob finds out that he acts as a snitch for the police. After Buddy starts looking into the loan sharking business of some local mob members, unknown to him some of those mob members are shaken down for a minimum $100,000 apiece, one by one kidnapped for ... Written by Huggo
The Seven Ups from a reality standpoint is by far the best produced police drama ever to hit the screen. The story encompasses all the pitfalls and dangers of police undercover work and the alliances between partners as well as the relationships and betrayals of informers. The cast is superb and what made it real and gritty is none of the actors at the time were big stars. The best scene undoubtedly is the ending when Tony Lobianco is pleading with Roy Schieder The music steadily increases and Roy Schieder keeps walking away. The story line is timeless and can be translated every 20 to 25 years in modern remake form. I have been waiting for this movie to be produced on DVD