In Dublin, a working class family has been unsuccessful in convincing their son to get a real job: the son prefers his job of scooping up horse's dung and selling it for flower gardens. An ... See full summary »
Completely innocent man, Michael Jordon, is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
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Harry Evers and Marvin Ellison have been playing poker Thursday nights with their friends for years. When a disagreement breaks up the game, they decide to continue meeting and doing ... See full summary »
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Mary Stuart Masterson
Just before the Salem Witch Trials, an embittered old woman, who has learned witchcraft, teams up with the Devil, and brings a scarecrow to life as part of her diabolical revenge on the judge who was once her lover.
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Originally an absurdist play by Eugene Ionesco, Rhinoceros tells the story of a French town plagued by rhinoceroses. These are not ordinary rhinoceroses, but people who have been victims of "rhinoceritis." Or is it something else entirely? But, why are they turning into rhinoceroses and what is Ionesco trying to tell us about society?Written by
Jeff Schoner <email@example.com>
A great lost movie! Zero Mostel gives an INCREDIBLE performance!
I have not seen this movie since the mid 70's but back then I watched it at least 20 times when it was shown on cable. Now it appears it is virtually lost, as they were unable to find a print of it for the Ionesco festival in New York this past year. If you are able to catch it on tv, do not miss it. A truly strange and unusual film, involves Gene Wilder as a man who seems all alone in the world as everyone else has started to catch a strange flu, which starts with bumps on there foreheads and then eventually turns them into raving lunatics, and finally into a Rhinocerous. Zero Mostel turns in a great performance as Wilder's friend, who goes beserk inside a building and literaly tears it apart in a rampage. The film goes on to explore whether or not Wilder is the sane one, or the odd man out, as he is the only one who has not conformed. He meets Daisy (Karen Black) who has not yet turned. They do everything they can to keep themselves from turning into what they fear, and the film really turns from comedy into psychological horror at this point. Some strange imagery, and perhaps Gene Wilders only nude scene on film, happen all before the climax. Truly a unique gem from the minds of people who defined the 60's! Tom O'Horgan directed Hair and Jesus Christ Superstar on Broadway, and was involved with experimental projects with Robert Downey Sr. So you can imagine this is something of a rare find! Good luck on tracking it down!
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