Wrongfully convicted for murder, Henri Charriere forms an unlikely relationship with fellow inmate and quirky convicted counterfeiter Louis Dega, in an attempt to escape from the notorious penal colony on Devil's Island.
A semi-fictional account of Henri Charrière's time in the penal system in French Guyana - some of it spent on infamous Devil's Island - is presented. It's the early 1930s. Charrière - nicknamed Papillon because of his butterfly tattoo - and Louis Dega are two among many who have been convicted in the French judicial system, they now being transferred to French Guyana where they will serve their time, never to return to France even if they are ever released. A safe-cracker by criminal profession, Papillon is serving a life sentence for murdering a pimp, a crime for which he adamantly states he was framed. Dega is a wealthy counterfeiter, who expects his well-to-do wife eventually to get him released. On Papillon's initiative, Papillon and Dega enter into a business arrangement: Papillon will provide protection for Dega, while Dega will finance Papillon's escape attempt. As Papillon and Degas' time together lasts longer than either expects, their burgeoning friendship ends up being an ...Written by
The movie was originally given an R rating by the MPAA because of its violence, but Allied Artists argued for and won a PG rating. An Illinois father sued after taking his young son to see the movie. A judge threw the case out, reasoning that the "Parental Guidance" rating implies a warning to parents. See more »
(at around 1h 20 mins) shaving cream pattern changes. See more »
Put all hope out of your mind. And masturbate as little as possible, it drains the strength!
See more »
The Spanish version has several cuts during the film due to censorship reasons, including Alfred Dreyfus scene on Devil's Island. This version also includes a song called "Toi qui regardes la mer" that appears during the end credits with music by Jerry Goldsmith and sung by the French singer Nicoletta. See more »
Terrifying film dealing with life in prison. Not just any prison, but one way off to itself with few fellow human beings around. I think this was McQueen's finest film ever, and perhaps Hoffman's also. I know it has had a lasting effect on me through the years; I have never forgotten the awesome loneliness the prisoners went through. Great picture, thumbs up.
95 of 135 people found this review helpful.
Was this review helpful to you?
| Report this