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Jean Van Hearn
An American businessman visits London and is horrified to discover his nubile teenage daughter has become involved with a gang of thuggish "beatniks". Her involvement leads to wild parties, sex, death and necrophilia.
Serious, hard-working student James T. Hart faces the rigors of his first year at Harvard Law School. The pressure to succeed is tremendous and some of the students form study groups while also spending a great many hours studying. Hart's greatest challenge is contract law and his professor, Charles W. Kingsfield Jr. Using the Socratic method, Kingsfield challenges his students with questions demanding accuracy and creativity in their responses and often humiliating those who are unable to respond. As the school year progresses, Hart faces many challenges but befriends Susan Fields - unaware that she has a connection that affects their relationship. Finally, Hart accommodates himself to whatever might come his way, accepting a new set of priorities in his life.Written by
I shall recite the facts of the case, forthwith. An idealistic first year law student from the Midwest, named Hart (Timothy Bottoms), along with several other students find themselves unprepared for the academic rigors of Harvard Law School. Their insecurities bump up against the high standards of the renowned and intimidating Professor Kingsfield (John Houseman) who teaches a class in contract law. Further, Hart happens to become romantically involved with a woman named Susan (Lindsay Wagner) who initially fails to tell Hart that she is Kingsfield's daughter. Complications ensue.
"The Paper Chase" is a rather slow moving drama laced with occasional humor. The dispassionate story is simple and straightforward, if perhaps slightly contrived. It lacks emotional intensity, especially by today's standards. But that's somewhat to be expected for a setting that is so cloistered and cerebral. Characters are stereotypical, but still interesting.
And the "heart" of the story is the discourse between student and professor, especially as Hart relates, or fails to relate, to the demanding Kingsfield, a man who never smiles. Kingsfield has a one-track mind. He lives, breathes, and sleeps contract law. He expects his students to do the same. Always impersonal, he's like an intellectual robot. And half the fun of the film is listening to John Houseman's monologues, as he "fills the room with (Kingsfield's) intelligence".
The film's color cinematography is fine; camera "takes" are very long. The film's visuals do look dated. Guys have long hair. And students use ... typewriters -- yikes! Background music is intermittent and mostly classical. Overall acting is fine. Both Timothy Bottoms and Lindsay Wagner give credible performances. And, of course, John Houseman is terrific. I can't imagine anyone else in that role.
Low-key, and nostalgic in its view of education, "The Paper Chase" is a good film to watch for its high technical quality, for its theme of the individual trying to measure up to society's expectations, and of course for the wonderful performance of John Houseman.
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