Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Antoine Doinel is now more than thirty. He divorces from Christine. He is a proofreader, and is in love with Sabine, a record seller. Colette, his teenager love, is now a lawyer. She buys ... See full summary »
The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)...Written by
Several takes are wasted trying to get a cat to drink milk from a tray. Eventually Joelle brings in "the studio cat" to do the scene. But the cat that actually drinks the milk is actually a third, different cat. See more »
Isn't he adorable? When did I work with him...? Oh, Mamma Mia, 20 years ago in Hollywood! We were there at the same time. You know, he was a real ladies man. In Hollywood, they called him the continental lover. I loved him, too.
Odile, la maquilleuse:
Is he married?
I don't know if he is now. He was married and divorced twice. Maybe he lives with someone. No one knows. He's very secretive.
Odile, la maquilleuse:
He has a moustache in the movie. I like it.
Moustache or not, he is still playing lovers! And look at me... I'm only cast as the ...
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This film is dedicated to Lillian and Dorothy Gish. See more »
I still think it's my favourite of Truffaut's, even though my French teacher rolled his eyes, thinking I could have picked a more obscure choice! The reason why I love it so much, is that it has so much to it. Not only is it a clever tale of a film inside a film, but Truffaut also gives you a view into his own world, as well as those of his actors and crew. Truffaut provides some advice on being a film maker in a friendly manner, and you get the impression that this person is really interested in engaging with the audience in a down to earth manner. There is development and a little explanation of the characters which have appeared in his earlier films, particularly Antoine, of course, which I liked, although it's not completely on a plate of course. All in all, def worth a watch.
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