Day for Night (1973)

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Director:

François Truffaut

Writers:

François Truffaut (screenplay), Jean-Louis Richard (screenplay)

Stars:

Jacqueline Bisset, Jean-Pierre Léaud, François Truffaut

Won 1 Oscar. Another 12 wins & 7 nominations.

Cast

Cast overview, first billed only:
Jacqueline Bisset	...	Julie Baker
Valentina Cortese	...	Séverine
Dani	...	Liliane, la stagiaire scripte
Alexandra Stewart	...	Stacey
Jean-Pierre Aumont	...	Alexandre
Jean Champion	...	Bertrand, le producteur
Jean-Pierre Léaud	...	Alphonse (as Jean-Pierre Leaud)
François Truffaut	...	Ferrand, le réalisateur
Nike Arrighi	...	Odile, la maquilleuse
Nathalie Baye	...	Joëlle, la scripte
Maurice Seveno	...	Le reporter TV
David Markham	...	Dr. Michael Nelson
Bernard Menez	...	Bernard, l'accessoiriste
Gaston Joly	...	Lajoie, le régisseur
Zénaïde Rossi	...	Madame Lajoie

Storyline

The shooting of "Je vous presente Pamela" (may I introduce Pamela) begins. This is the story of en English married wife falling in love and running away with the father of her French husband. Will be simultaneously shown the shooting, the behavior of the people (including the technical team) on the set, and a part of their private life (a factor of complication)...

---

Plot Keywords:

film within a film | film industry | film crew | behind the scenes | filmmaking | 

---

Taglines:

A movie for people who love movies.

---

Genres:

Comedy | Drama | Romance

---

Certificate:

PG

Did You Know?

Trivia

This film is part of the Criterion Collection, spine #769.

---

Goofs

When Ferrand is talking to Julie in her room, his left ear appears without a hearing aid for a second.

---

Quotes

Le reporter TV: [Last lines] Wasn't it a hard film to make? Lots of trouble during the shooting?
Bernard, l'accessoiriste: Not at all! It went fine! And we hope audiences enjoy seeing it as much as we enjoyed making it!

---

Crazy Credits

This film is dedicated to Lillian and Dorothy Gish.

---

Connections

References Citizen Kane (1941)

User Reviews

Cinema Reine!

"No sentimentality - just play notes!" is the instruction we hear over the credits that open "Day For Night". About three seconds later, we see silent film stars Dorothy and Lillian Gish striking highly theatrical poses, with a signed inscription by director Francois Truffaut saying the film has been dedicated to them.

So is sentimentality a good thing or a bad thing? Truffaut may be playing it both ways, yet "Day For Night" makes a great argument in both directions. You need to feel something to pour so much heart and soul into movie-making, but you also need to be hard-hearted, say for example if an actor dies before a film is wrapped or a cat won't drink milk on cue. "Day For Night" strikes an amazing balance between hard and soft, happy and sad, comedy and tragedy, and in the end offers a unique take not only on movies but on life itself.

"What a funny life we lead," says the aging starlet Severine (Valentina Cortese), summing up "Day For Night's" take on the ephemerality of both departments. "We meet, we work together, we love each other, and then, as soon as we grasp something - pfft - it's gone. See?" But if there is some consolation in Truffaut's view, it is the companionship life offers, especially on a film set, where families of intense passion and strength can sprout up in an instant.

Cortese is a treat, with both her sweetness and her lighter moments. Severine tries to make a dramatic exit in one scene but keeps opening a closet door. Everyone in this film shines in some way, selling you utterly on the idea you are not watching a movie but eavesdropping on a real set, even as Truffaut constantly makes references to the fact "Day For Night" is a movie. Jacqueline Bisset plays an actress known for being in "that movie with the car chase" while Jean-Pierre Léaud's character's girlfriend complains "he wants the whole world to pay for his unhappy childhood."

Truffaut was responsible for Léaud's unhappy childhood, of course, but, avoiding sentimentality, makes his young actor protégé more of a heavy and comic foil this time out, playing not Antoine this time but another fellow named Alphonse. Léaud rewards his director with a genuinely funny take-off on his intensity from other Truffaut films.

I also love Bisset, who as Julie gives the film a bit of real heart as the one character who has something of a life beyond movies, with a middle-aged lover she cares for almost sheepishly. Yet it is she who exemplifies "the show must go on" by risking her life outside the picture in order to save the picture itself.

Even Truffaut does a good turn as a major character, playing a film director. Truffaut always worked best as a slightly ruffled authority figure, here urging a tipsy Severine not to go through her difficult scene reciting numbers: "In France, we have to say the lines!"

There's very little I would want to change in this film, not even the garish 1970s clothes which give this film an appropriate aura of informality. It's soapy, yes, but so's life at times, and like life, it really makes you want to stick around for the moments it gets right. Sentiment may be dangerous to performance, but it seems worth having around in the end.

Details

Country:

France Italy

Language:

French English

Release Date:

7 September 1973 (USA)

Also Known As:

Day for Night

Filming Locations:

Côte d'Azur, France

Box Office

Opening Weekend USA:

$11,206, 25 April 1999

Gross USA:

$509

Cumulative Worldwide Gross:

$509

Company Credits

Production Co:

Les Films du Carrosse, PECF, Produzione Intercontinentale Cinematografica (PIC)

Technical Specs

Runtime:

116 min

Sound Mix:

Mono

Color:

Black and White (dream sequences) Color (Eastmancolor)

Aspect Ratio:

1.66 : 1