Racked by earthquakes and volcanos, Japan is slowly sinking into the sea. A race against time and tide begins as Americans and the Japanese work together to salvage some fraction of the ...
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A journalist is saved by a giant submarine captained by a 200 year old man who takes him to an underwater paradise city where no one ages. That's when monsters and mutants sent by the captain's rival, a 200 year old scientist, attack.
During WWII, a human heart taken from a certain lab in Europe (Dr. Frankenstein's) is kept in a Japanese lab, when it gets exposed to the radiation of the bombing of Hiroshima. The heart ... See full summary »
When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works. His disappearance stumps the ... See full summary »
Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late.... See full summary »
A woman named Yeon-hee (Ha Ji-won) lives in Busan with her boyfriend Man-sik (Sol Kyung-gu) near Haeundae Beach. But, when they find out a tsunami will hit the city, They realize they only have 10 minutes to escape!
Abused mute autistic boy is the only one who can help a teenage heiress kidnapped, tortured, raped and buried alive by three young psychopathic criminals who want to extort some diamonds from her rich scummy stepfather.
Racked by earthquakes and volcanos, Japan is slowly sinking into the sea. A race against time and tide begins as Americans and the Japanese work together to salvage some fraction of the disappearing Japan.Written by
Concorde - New Horizons (with permission).
Excellent effects and Tetsuro Tamba performance in otherwise slow-going film
Overall one's reaction to this film will rely on how interested they are in geology and plate tectonics. There are several points in this film where it grinds to a halt and we are "treated" to a lecture about how the earth's crust and mantle work and why the destruction of Japan is so imminent. While ostensibly quite boring, this actually perked up my attention as the whole scenario seems quite plausible. Japan is in fact in a precarious geologic position and could indeed one day (albeit over the course of millions of years) fall away into the Japan Trench.
This movie asks you to accept a huge what-if scenario for if continental drift could suddenly accelerate to cataclysmic rates. Fortunately this film also does a pretty good attempt to simulate this, relying heavily on Teruyoshi Nakano's brilliant pyrotechnic effects.
The real show-stopper comes about 40 minutes into the film with the out-of-nowhere 15-minute earthquake that strikes Tokyo and kills over 3 million people. What a bodycount! I think it had to be the largest in any film up to that point. Lots of quality shots of oil refineries exploding, cars crashing, people running around on fire, and even some surprisingly graphic gore when glass shards rain down on civilians. This sequence (along with the film in general) is aided immeasurably by one of Tetsuro Tamba's best performances ever as the stoic, yet prone-to-outburst prime minister.
Unfortunately this mid-movie sequence is the high point of the film. The climax is clumsily structured and not very exciting at all, instead deciding to focus on two married evacuees being separated. Quite disappointing. At least the film maintains a level of earnest seriousness which can draw you in even though there is little or no character development... much like VIRUS did seven years later. Also it asks some good questions such as whether a nation deserves to exist when the land underneath it ceases to be... or what human life (when we're not talking about a few, but 100 MILLION) is really worth.
Overall though, this film is a bit talky and poorly structured, but personally I was quite intrigued and not bored... and the mid-movie destruction and mayhem (as only the Japanese can deliver) was well-worth the price of admission. Also, refreshingly for Toho films of the time, there are no annoying children and no attempts at humor. Zero.
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